Not Kenneth
Season 4
S04 · E22~22 min594 quotes

I Do Do

- PREVIOUSLY ON 30 ROCK...

- PREVIOUSLY ON 30 ROCK...

0:010:03#1
- SO YOU'RE... - IN THREE WEDDINGS

- SO YOU'RE... - IN THREE WEDDINGS

0:030:04#2
ON THE SAME DAY, YEAH.

ON THE SAME DAY, YEAH.

0:040:05#3
- FATE IS TELLING US WE'RE EACH OTHER'S

- FATE IS TELLING US WE'RE EACH OTHER'S

0:060:08#4
SETTLING SOUL MATES.

SETTLING SOUL MATES.

0:080:09#5
- I'VE BEEN SEEING SOMEONE ELSE,

- I'VE BEEN SEEING SOMEONE ELSE,

0:090:10#6
AND I THINK I'M IN LOVE WITH BOTH OF YOU.

AND I THINK I'M IN LOVE WITH BOTH OF YOU.

0:110:12#7
- JACK WANTS ME TO STALL?

- JACK WANTS ME TO STALL?

0:120:13#8
SO I'M GONNA MARRY...

SO I'M GONNA MARRY...

0:160:18#9
JAPHETH.

JAPHETH.

0:180:21#10
AND WE'RE GONNA LIVE IN...

AND WE'RE GONNA LIVE IN...

0:210:24#11
NINEVEH.

NINEVEH.

0:240:26#12
AND I'M GONNA BE A...

AND I'M GONNA BE A...

0:260:29#13
PROSTITUTE.

PROSTITUTE.

0:290:30#14
- YES, I CONTINUED TO SEE OTHER PEOPLE.

- YES, I CONTINUED TO SEE OTHER PEOPLE.

0:300:32#15
- ONE PERSON, WHO APPARENTLY YOU'RE ALSO IN LOVE WITH.

- ONE PERSON, WHO APPARENTLY YOU'RE ALSO IN LOVE WITH.

0:320:35#16
- IT'S POSSIBLE. HAVEN'T YOU EVER READ ARCHIECOMICS?

- IT'S POSSIBLE. HAVEN'T YOU EVER READ ARCHIECOMICS?

0:350:37#17
- JACK, I GOT DIVORCED.

- JACK, I GOT DIVORCED.

0:370:39#18
- I DIDN'T KNOW IF YOU WOULD EVER LEAVE MARK,

- I DIDN'T KNOW IF YOU WOULD EVER LEAVE MARK,

0:390:41#19
SO I LET MYSELF FALL INTO SOMETHING ELSE.

SO I LET MYSELF FALL INTO SOMETHING ELSE.

0:410:44#20
YOU LOOK AMAZING IN THAT DRESS.

YOU LOOK AMAZING IN THAT DRESS.

0:440:46#21
- YOU LOOK LIKE A GAY MORTICIAN IN THAT SUIT.

- YOU LOOK LIKE A GAY MORTICIAN IN THAT SUIT.

0:460:48#22
- YOU KNOW, KENNETH, I HAVE A THANKLESS JOB.

- YOU KNOW, KENNETH, I HAVE A THANKLESS JOB.

0:520:54#23
FOR EXAMPLE, I'M HERE ON A SATURDAY

FOR EXAMPLE, I'M HERE ON A SATURDAY

0:540:55#24
TO SHOW AROUND SOME KABLETOWN FOLKS.

TO SHOW AROUND SOME KABLETOWN FOLKS.

0:550:57#25
CHK-CHK! BOOM!

CHK-CHK! BOOM!

0:570:58#26
- [exclaims] - IT'S NOT REAL.

- [exclaims] - IT'S NOT REAL.

0:591:00#27
POINT IS, I USUALLY ONLY GET TO DELIVER BAD NEWS.

POINT IS, I USUALLY ONLY GET TO DELIVER BAD NEWS.

1:001:03#28
BUT NOT TODAY.

BUT NOT TODAY.

1:041:05#29
KENNETH, YOU ARE THE NEW...

KENNETH, YOU ARE THE NEW...

1:051:09#30
JUNIOR IN-CHARGE BOY OF THE ENTIRE NBC PAGE PROGRAM.

JUNIOR IN-CHARGE BOY OF THE ENTIRE NBC PAGE PROGRAM.

1:091:13#31
- OH, MY GOODNESS!

- OH, MY GOODNESS!

1:131:15#32
THIS IS MY DREAM COME TRUE.

THIS IS MY DREAM COME TRUE.

1:151:17#33
AND TO HEAR IT FROM MY BEST FRIEND IN THE WHOLE WORLD,

AND TO HEAR IT FROM MY BEST FRIEND IN THE WHOLE WORLD,

1:171:21#34
COMMA, BALD CATEGORY.

COMMA, BALD CATEGORY.

1:211:23#35
- WELL, YOU START IN TWO WEEKS.

- WELL, YOU START IN TWO WEEKS.

1:231:25#36
AND THEY'LL GIVE YOU SOME MOVING MONEY TO HELP YOU GET TO L. A.

AND THEY'LL GIVE YOU SOME MOVING MONEY TO HELP YOU GET TO L. A.

1:251:27#37
- CALIFORNIA?

- CALIFORNIA?

1:271:29#38
I CAN'T MOVE OUT THERE

I CAN'T MOVE OUT THERE

1:291:31#39
AND BE AWAY FROM ALL OF YOU.

AND BE AWAY FROM ALL OF YOU.

1:311:32#40
NO, THANK YOU, SIR. I'LL PASS.

NO, THANK YOU, SIR. I'LL PASS.

1:321:35#41
- YOU CAN'T PASS. JACK PUT YOU UP FOR THIS.

- YOU CAN'T PASS. JACK PUT YOU UP FOR THIS.

1:351:37#42
IF YOU DON'T WANT THE JOB, YOU HAVE TO TALK TO HIM.

IF YOU DON'T WANT THE JOB, YOU HAVE TO TALK TO HIM.

1:371:39#43
- FINE. I WILL TALK TO HIM.

- FINE. I WILL TALK TO HIM.

1:391:41#44
AND MR. DONAGHY WILL UNDERSTAND

AND MR. DONAGHY WILL UNDERSTAND

1:411:43#45
'CAUSE HE'S MY BEST FRIEND IN THE WHOLE WORLD,

'CAUSE HE'S MY BEST FRIEND IN THE WHOLE WORLD,

1:431:44#46
COMMA, BEAUTIFUL HAIR CATEGORY, PARENTHESES, STRONG.

COMMA, BEAUTIFUL HAIR CATEGORY, PARENTHESES, STRONG.

1:441:49#47
- ♪ AND A MAN MUST LEAVE HIS MOTHER ♪

- ♪ AND A MAN MUST LEAVE HIS MOTHER ♪

1:501:54#48
♪ AND A WOMAN NEEDS HER BONES ♪

♪ AND A WOMAN NEEDS HER BONES ♪

1:541:56#49
- WHAT CAN I SAY, NANCY?

- WHAT CAN I SAY, NANCY?

1:561:57#50
I WANT TO BE WITH YOU.

I WANT TO BE WITH YOU.

1:571:58#51
I WANT TO TAKE NAPS WITH YOU.

I WANT TO TAKE NAPS WITH YOU.

1:582:00#52
I WANT TO WATCH YOU WATCH A HOCKEY GAME.

I WANT TO WATCH YOU WATCH A HOCKEY GAME.

2:002:02#53
I WANT TO FIND LONG RED HAIRS IN MY OVERCOOKED POT ROAST.

I WANT TO FIND LONG RED HAIRS IN MY OVERCOOKED POT ROAST.

2:022:05#54
I LOVE YOU.

I LOVE YOU.

2:052:06#55
I DO LOVE YOU,

I DO LOVE YOU,

2:062:08#56
BECAUSE YOU KNOW THAT WHAT I REALLY AM

BECAUSE YOU KNOW THAT WHAT I REALLY AM

2:082:09#57
IS A POOR MAMA'S BOY FROM SADCHESTER, MASSACHUSETTS

IS A POOR MAMA'S BOY FROM SADCHESTER, MASSACHUSETTS

2:092:12#58
WHO HAD TO WEAR HIS SISTER'S HAND-ME-DOWN CORDUROYS.

WHO HAD TO WEAR HIS SISTER'S HAND-ME-DOWN CORDUROYS.

2:122:15#59
- THEY WERE ORANGE AND HAD HEARTS FOR POCKETS.

- THEY WERE ORANGE AND HAD HEARTS FOR POCKETS.

2:152:17#60
- AND YOU LIKE ME ANYWAY.

- AND YOU LIKE ME ANYWAY.

2:172:19#61
- YEAH, I GET IT, JACK,

- YEAH, I GET IT, JACK,

2:192:20#62
BUT WHAT ARE YOU GONNA DO ABOUT IT?

BUT WHAT ARE YOU GONNA DO ABOUT IT?

2:202:21#63
I CAN'T SHARE YOU WITH ANOTHER WOMAN

I CAN'T SHARE YOU WITH ANOTHER WOMAN

2:212:22#64
LIKE YOU'RE THAT MORMON GUY ON HBO

LIKE YOU'RE THAT MORMON GUY ON HBO

2:222:24#65
WHO WAS IN THAT TORNADO MOVIE.

WHO WAS IN THAT TORNADO MOVIE.

2:242:25#66
THE ONE WITH THE GIRL WITH THE FOREHEAD

THE ONE WITH THE GIRL WITH THE FOREHEAD

2:252:27#67
WHO WAS MARRIED TO THAT JEWISH GUY.

WHO WAS MARRIED TO THAT JEWISH GUY.

2:272:28#68
- WHAT?

- WHAT?

2:282:29#69
- I'M A MOM. GIVE ME A BREAK.

- I'M A MOM. GIVE ME A BREAK.

2:292:31#70
I NEED TO KNOW RIGHT NOW,

I NEED TO KNOW RIGHT NOW,

2:312:33#71
ARE YOU IN OR ARE YOU OUT?

ARE YOU IN OR ARE YOU OUT?

2:332:35#72
- IN. NANCY, I'M IN.

- IN. NANCY, I'M IN.

2:352:37#73
- OKAY.

- OKAY.

2:372:40#74
THEN I'M IN TOO.

THEN I'M IN TOO.

2:402:42#75
- ♪ SUM OF ALL HIS PARTS

- ♪ SUM OF ALL HIS PARTS

2:422:45#76
♪ THERE IS A LOVE

♪ THERE IS A LOVE

2:452:48#77
♪ FLOYD AND KAITLYN

♪ FLOYD AND KAITLYN

2:482:52#78
[High] ♪ THERE IS LOVE...

[High] ♪ THERE IS LOVE...

2:522:55#79
[Exciting jazz music]

[Exciting jazz music]

2:552:58#80
♪

2:583:06#81
- PAUL? WHAT ARE YOU DOING?

- PAUL? WHAT ARE YOU DOING?

3:163:18#82
- I THOUGHT YOU WERE GOING TO GET

- I THOUGHT YOU WERE GOING TO GET

3:183:19#83
YOUR HAIR DONE FOR YOUR FRIEND'S WEDDING.

YOUR HAIR DONE FOR YOUR FRIEND'S WEDDING.

3:193:20#84
- I WAS, BUT I FORGOT MY BAG OF HAIR.

- I WAS, BUT I FORGOT MY BAG OF HAIR.

3:203:22#85
IS THIS WHO YOU'RE INTO NOW?

IS THIS WHO YOU'RE INTO NOW?

3:223:25#86
CHER?

CHER?

3:253:26#87
YOU'RE BEING ANOTHER WOMAN BEHIND MY BACK?

YOU'RE BEING ANOTHER WOMAN BEHIND MY BACK?

3:263:29#88
- IT'S NOT WHAT IT LOOKS LIKE.

- IT'S NOT WHAT IT LOOKS LIKE.

3:293:30#89
- OH, SPARE ME YOUR LAME EXCUSES.

- OH, SPARE ME YOUR LAME EXCUSES.

3:303:32#90
MAYBE I'M OLD-FASHIONED,

MAYBE I'M OLD-FASHIONED,

3:323:34#91
BUT WHEN A GIRL DATES A STRAIGHT MAN

BUT WHEN A GIRL DATES A STRAIGHT MAN

3:343:36#92
WHO IMPERSONATES HER ON STAGE FOR MOSTLY GAY AUDIENCES,

WHO IMPERSONATES HER ON STAGE FOR MOSTLY GAY AUDIENCES,

3:363:39#93
SHE HAS CERTAIN EXPECTATIONS.

SHE HAS CERTAIN EXPECTATIONS.

3:393:41#94
FIDELITY, PAUL.

FIDELITY, PAUL.

3:413:42#95
IT'S NOT JUST THE NAME OF A BANK THAT SUED ME.

IT'S NOT JUST THE NAME OF A BANK THAT SUED ME.

3:423:44#96
- BUT I LOVE YOU BOTH EQUALLY.

- BUT I LOVE YOU BOTH EQUALLY.

3:443:46#97
- I DON'T KNOW WHAT TO TELL YOU.

- I DON'T KNOW WHAT TO TELL YOU.

3:463:48#98
BUT YOU HAVE TO CHOOSE.

BUT YOU HAVE TO CHOOSE.

3:483:49#99
IT'S HER OR ME.

IT'S HER OR ME.

3:493:52#100
- [as Cher] JENNA, BABE, WAIT.

- [as Cher] JENNA, BABE, WAIT.

3:523:54#101
[Normal voice] I'M SORRY.

[Normal voice] I'M SORRY.

3:543:55#102
THAT CAME OUT WRONG.

THAT CAME OUT WRONG.

3:553:59#103
[Door slams]

[Door slams]

3:594:01#104
[Jack whispering indistinctly]

[Jack whispering indistinctly]

4:024:05#105
- MR. DONAGHY! - [screams]

- MR. DONAGHY! - [screams]

4:054:06#106
- OH, GOD, KENNETH! - I NEED TO TALK TO YOU

- OH, GOD, KENNETH! - I NEED TO TALK TO YOU

4:064:07#107
ABOUT AN URGENT PAGE-RELATED MATTER.

ABOUT AN URGENT PAGE-RELATED MATTER.

4:074:09#108
- GOD, HE CAME OUT OF NOWHERE.

- GOD, HE CAME OUT OF NOWHERE.

4:094:10#109
- WE CAN TALK ON MONDAY.

- WE CAN TALK ON MONDAY.

4:104:11#110
MS. DONOVAN AND I HAVE AN HOUR BETWEEN WEDDINGS TO, UH--

MS. DONOVAN AND I HAVE AN HOUR BETWEEN WEDDINGS TO, UH--

4:124:14#111
- TICKLE EACH OTHER LIKE TELETUBBIES.

- TICKLE EACH OTHER LIKE TELETUBBIES.

4:144:15#112
THAT'S HOW I USED TO EXPLAIN IT TO MY KIDS

THAT'S HOW I USED TO EXPLAIN IT TO MY KIDS

4:154:17#113
WHEN THEY WALKED IN ON US.

WHEN THEY WALKED IN ON US.

4:174:19#114
- BUT I DON'T WANT MY PROMOTION, SIR.

- BUT I DON'T WANT MY PROMOTION, SIR.

4:194:21#115
I WANT TO STAY HERE IN NEW YORK WITH ALL MY FRIENDS.

I WANT TO STAY HERE IN NEW YORK WITH ALL MY FRIENDS.

4:214:24#116
- I'M NOT GOING TO LET YOU SAY NO, KENNETH.

- I'M NOT GOING TO LET YOU SAY NO, KENNETH.

4:244:26#117
THIS IS A PROMOTION FOR YOU.

THIS IS A PROMOTION FOR YOU.

4:264:27#118
AND, YES, IT'S DIFFICULT,

AND, YES, IT'S DIFFICULT,

4:274:28#119
BUT TODAY IS ABOUT PULLING TRIGGERS.

BUT TODAY IS ABOUT PULLING TRIGGERS.

4:284:30#120
IT'S ABOUT MAKING BOLD CHOICES.

IT'S ABOUT MAKING BOLD CHOICES.

4:304:31#121
IT'S ABOUT-- - TWO SPIDER-MANS FIGHTING,

IT'S ABOUT-- - TWO SPIDER-MANS FIGHTING,

4:314:33#122
AND SOMETIMES THEY MAKE WEIRD NOISES,

AND SOMETIMES THEY MAKE WEIRD NOISES,

4:334:34#123
BUT THEY'RE NOT HURTING EACH OTHER.

BUT THEY'RE NOT HURTING EACH OTHER.

4:344:36#124
- HOW OFTEN DID THEY WALK IN ON YOU?

- HOW OFTEN DID THEY WALK IN ON YOU?

4:364:37#125
- A LOT.

- A LOT.

4:384:39#126
- IF YOU'LL EXCUSE ME.

- IF YOU'LL EXCUSE ME.

4:394:40#127
- D'OH, BOTHER! TREBLE BOTHER!

- D'OH, BOTHER! TREBLE BOTHER!

4:454:47#128
- WHAT IS IT?

- WHAT IS IT?

4:484:49#129
- MY FANCY DRESS SLIPPERS.

- MY FANCY DRESS SLIPPERS.

4:494:50#130
I LEFT THEM IN MY OFFICE.

I LEFT THEM IN MY OFFICE.

4:504:51#131
- SO GO GET THEM AND MEET ME AT CERIE'S WEDDING.

- SO GO GET THEM AND MEET ME AT CERIE'S WEDDING.

4:514:53#132
- NO. WHEN I WAS FIRED,

- NO. WHEN I WAS FIRED,

4:534:55#133
I VOWED ON THE SNIPES NAME

I VOWED ON THE SNIPES NAME

4:554:56#134
I WOULD NEVER SET FOOT IN THERE AGAIN.

I WOULD NEVER SET FOOT IN THERE AGAIN.

4:564:58#135
ALSO KEVIN IN SECURITY HAS A PICTURE OF ME.

ALSO KEVIN IN SECURITY HAS A PICTURE OF ME.

4:585:00#136
- SO, WHAT, YOU WANT ME TO GO GET YOUR TUXEDO SHOES?

- SO, WHAT, YOU WANT ME TO GO GET YOUR TUXEDO SHOES?

5:005:03#137
- SEE? OUR MINDS ARE ALREADY ONE

- SEE? OUR MINDS ARE ALREADY ONE

5:035:06#138
AS OUR BODIES SOON SHALL BE.

AS OUR BODIES SOON SHALL BE.

5:065:07#139
THERE'S THE ADDRESS.

THERE'S THE ADDRESS.

5:075:09#140
- OF COURSE. YOU WORK IN INSURANCE.

- OF COURSE. YOU WORK IN INSURANCE.

5:095:11#141
- SPECIALIZING IN THE TRANSPORTATION INDUSTRY.

- SPECIALIZING IN THE TRANSPORTATION INDUSTRY.

5:115:13#142
FULFILLS MY BOYHOOD PASSION FOR TRAIN ACCIDENTS.

FULFILLS MY BOYHOOD PASSION FOR TRAIN ACCIDENTS.

5:145:17#143
- FINE. I'LL GO GET YOUR SHOES.

- FINE. I'LL GO GET YOUR SHOES.

5:175:18#144
- FAREWELL, MY LUSCIOUS PLUM.

- FAREWELL, MY LUSCIOUS PLUM.

5:185:20#145
- OH, SON OF A--

- OH, SON OF A--

5:245:26#146
- WHY IS YOUR FACE LIKE THAT?

- WHY IS YOUR FACE LIKE THAT?

5:265:27#147
- CALIFORNIA? NO WAY, KEN.

- CALIFORNIA? NO WAY, KEN.

5:315:33#148
LOOK, YOU GOT TO TANK THIS PROMOTION.

LOOK, YOU GOT TO TANK THIS PROMOTION.

5:335:35#149
DO A SLOPPY JOB, AND THEY'LL LEAVE YOU ALONE.

DO A SLOPPY JOB, AND THEY'LL LEAVE YOU ALONE.

5:355:37#150
THAT'S HOW I GOT OUT OF DOING FOREPLAY WITH ANGIE.

THAT'S HOW I GOT OUT OF DOING FOREPLAY WITH ANGIE.

5:375:41#151
AND MY TAXES.

AND MY TAXES.

5:415:43#152
- THAT'S NOT IN MY NATURE.

- THAT'S NOT IN MY NATURE.

5:435:45#153
- IF YOU'VE LEARNED ANYTHING FROM ME,

- IF YOU'VE LEARNED ANYTHING FROM ME,

5:455:48#154
IT'S HOW TO DO A BAD JOB.

IT'S HOW TO DO A BAD JOB.

5:485:49#155
GO. HONOR ME.

GO. HONOR ME.

5:495:51#156
SAVE YOURSELF.

SAVE YOURSELF.

5:515:52#157
BUT FIRST GET ME A SANDWICH.

BUT FIRST GET ME A SANDWICH.

5:525:54#158
- GET IT YOURSELF, CHUBBS. I'M ON A COFFEE BREAK.

- GET IT YOURSELF, CHUBBS. I'M ON A COFFEE BREAK.

5:545:57#159
- THAT'S MY BOY.

- THAT'S MY BOY.

5:596:02#160
[Jazz music]

[Jazz music]

6:026:05#161
♪

6:056:07#162
- OH. I'M GONNA HIT THE LADIES' ROOM REAL QUICK.

- OH. I'M GONNA HIT THE LADIES' ROOM REAL QUICK.

6:076:09#163
YOU CAN NEVER TELL WHEN ONE

YOU CAN NEVER TELL WHEN ONE

6:096:11#164
OF THESE NON-DENOMINATIONAL, GOOF-AROUND WEDDINGS

OF THESE NON-DENOMINATIONAL, GOOF-AROUND WEDDINGS

6:116:12#165
IS GONNA START.

IS GONNA START.

6:126:15#166
- JACK DONAGHY. - PAUL L'ASTNAME.

- JACK DONAGHY. - PAUL L'ASTNAME.

6:186:20#167
I'M JENNA'S BOYFRIEND.

I'M JENNA'S BOYFRIEND.

6:206:21#168
- OH, I'VE HEARD A LOT ABOUT YOU, PAUL.

- OH, I'VE HEARD A LOT ABOUT YOU, PAUL.

6:216:23#169
- WELL, IT'S ALL TRUE.

- WELL, IT'S ALL TRUE.

6:236:24#170
I'M A NATIVE OF HOUSTON, AND I LOVE TO COOK HEALTHY.

I'M A NATIVE OF HOUSTON, AND I LOVE TO COOK HEALTHY.

6:246:26#171
- AND THE FEMALE IMPERSONATOR STUFF.

- AND THE FEMALE IMPERSONATOR STUFF.

6:266:28#172
- OH, SURE. OF COURSE.

- OH, SURE. OF COURSE.

6:286:30#173
IT'S ACTUALLY BEEN CAUSING SOME PROBLEMS AT HOME LATELY.

IT'S ACTUALLY BEEN CAUSING SOME PROBLEMS AT HOME LATELY.

6:306:34#174
DO YOU THINK IT'S POSSIBLE TO LOVE TWO WOMEN AT ONCE?

DO YOU THINK IT'S POSSIBLE TO LOVE TWO WOMEN AT ONCE?

6:346:37#175
- I KNOW IT'S POSSIBLE.

- I KNOW IT'S POSSIBLE.

6:376:40#176
BUT AT SOME POINT, YOU HAVE TO CHOOSE, PAUL.

BUT AT SOME POINT, YOU HAVE TO CHOOSE, PAUL.

6:406:42#177
YOU CAN'T DELUDE YOURSELF WITH THOUGHTS LIKE,

YOU CAN'T DELUDE YOURSELF WITH THOUGHTS LIKE,

6:426:44#178
"WHAT IF I COULD SOMEHOW COMBINE THEM INTO ONE PERFECT WOMAN,

"WHAT IF I COULD SOMEHOW COMBINE THEM INTO ONE PERFECT WOMAN,

6:446:48#179
LIKE A S'MORE YOU COULD TAKE A SHOWER WITH?"

LIKE A S'MORE YOU COULD TAKE A SHOWER WITH?"

6:486:50#180
- BUT HOW DO YOU KNOW IF YOU'VE MADE THE RIGHT DECISION?

- BUT HOW DO YOU KNOW IF YOU'VE MADE THE RIGHT DECISION?

6:506:52#181
- YOU DON'T.

- YOU DON'T.

6:526:54#182
YOU'LL ALWAYS BE WONDERING

YOU'LL ALWAYS BE WONDERING

6:546:56#183
WHAT YOUR LIFE WOULD HAVE BEEN LIKE

WHAT YOUR LIFE WOULD HAVE BEEN LIKE

6:566:58#184
IF YOU'D OPENED THAT OTHER DOOR.

IF YOU'D OPENED THAT OTHER DOOR.

6:586:59#185
- LIKE AT A HAUNTED HOUSE SEX PARTY.

- LIKE AT A HAUNTED HOUSE SEX PARTY.

6:597:01#186
- EXACTLY.

- EXACTLY.

7:017:02#187
- THANK YOU, JACK.

- THANK YOU, JACK.

7:027:05#188
- COME ON, JESSUP. GET IT TOGETHER. NO TEARS.

- COME ON, JESSUP. GET IT TOGETHER. NO TEARS.

7:087:11#189
[Thud]

[Thud]

7:117:13#190
- EVERYTHING ALL RIGHT IN THERE?

- EVERYTHING ALL RIGHT IN THERE?

7:137:14#191
- I'M FINE. THANK YOU.

- I'M FINE. THANK YOU.

7:167:19#192
- HERE. YOU NEED THIS MORE THAN I DO.

- HERE. YOU NEED THIS MORE THAN I DO.

7:197:21#193
I NEVER PUT MY MOUTH ON IT.

I NEVER PUT MY MOUTH ON IT.

7:217:23#194
- THANKS. - YOU LOOK SO FAMILIAR TO ME.

- THANKS. - YOU LOOK SO FAMILIAR TO ME.

7:237:26#195
- OH, I'M A FINANCIAL REPORTER FOR CNBC.

- OH, I'M A FINANCIAL REPORTER FOR CNBC.

7:277:29#196
THE HOT BOX WITH AVERY JESSUP.

THE HOT BOX WITH AVERY JESSUP.

7:297:32#197
- NO. YOU EVER DO A COMMERCIAL FOR OVERSHOPPE. COM?

- NO. YOU EVER DO A COMMERCIAL FOR OVERSHOPPE. COM?

7:327:35#198
- OH, GOD, I DID.

- OH, GOD, I DID.

7:357:36#199
OH, THAT WAS BEFORE I GOT RID OF MY MARYLAND ACCENT.

OH, THAT WAS BEFORE I GOT RID OF MY MARYLAND ACCENT.

7:367:39#200
- DOES THE "O" HAVE IT? "O," WE DO.

- DOES THE "O" HAVE IT? "O," WE DO.

7:397:42#201
DO YOU "O"? "O," NO?

DO YOU "O"? "O," NO?

7:427:45#202
LET GO. "O."

LET GO. "O."

7:457:47#203
- UGH. THAT ACCENT'S IDIOTIC.

- UGH. THAT ACCENT'S IDIOTIC.

7:477:49#204
ANYWAY, NICE TO MEET YOU, AVERY JESSUP.

ANYWAY, NICE TO MEET YOU, AVERY JESSUP.

7:497:52#205
I'M NANCY. - HI.

I'M NANCY. - HI.

7:527:53#206
I'M NOT NORMALLY THIS--AHEM--OVERWHELMED.

I'M NOT NORMALLY THIS--AHEM--OVERWHELMED.

7:537:56#207
I-I CAME HERE TO TALK TO MY BOYFRIEND

I-I CAME HERE TO TALK TO MY BOYFRIEND

7:567:58#208
OR WHATEVER HE IS.

OR WHATEVER HE IS.

7:588:00#209
I MEAN, THIS WHOLE SITUATION--

I MEAN, THIS WHOLE SITUATION--

8:008:01#210
CLAMP DOWN, JESSUP! BE A WINNER.

CLAMP DOWN, JESSUP! BE A WINNER.

8:018:04#211
[Sighs]

[Sighs]

8:048:06#212
OH, MY GOD.

OH, MY GOD.

8:068:07#213
I CAN'T DRINK THIS.

I CAN'T DRINK THIS.

8:078:09#214
- YOU WANNA TALK ABOUT IT?

- YOU WANNA TALK ABOUT IT?

8:138:15#215
- OH, TUXEDO SLIPPERS. GIVE ME A BREAK.

- OH, TUXEDO SLIPPERS. GIVE ME A BREAK.

8:178:20#216
- EXCUSE ME.

- EXCUSE ME.

8:208:22#217
I'M SUPPOSED TO MEET YOU HERE?

I'M SUPPOSED TO MEET YOU HERE?

8:228:23#218
- HUH?

- HUH?

8:238:25#219
- ARE YOU WESLEY? I'M CAROL.

- ARE YOU WESLEY? I'M CAROL.

8:258:27#220
- I'M SORRY. WHAT'S HAPPENING NOW?

- I'M SORRY. WHAT'S HAPPENING NOW?

8:278:28#221
- I'M SUPPOSED TO MEET A WESLEY

- I'M SUPPOSED TO MEET A WESLEY

8:288:29#222
ABOUT MY INSURANCE CLAIM.

ABOUT MY INSURANCE CLAIM.

8:298:30#223
- WESLEY DOESN'T WORK HERE ANYMORE.

- WESLEY DOESN'T WORK HERE ANYMORE.

8:308:32#224
- ARE YOU SERIOUS?

- ARE YOU SERIOUS?

8:328:33#225
I MEAN, I MADE THE APPOINTMENT,

I MEAN, I MADE THE APPOINTMENT,

8:338:34#226
LIKE, A MONTH AGO. I REARRANGED MY WHOLE SATURDAY.

LIKE, A MONTH AGO. I REARRANGED MY WHOLE SATURDAY.

8:348:36#227
- ARE YOU A DOORMAN?

- ARE YOU A DOORMAN?

8:368:37#228
- YEAH, I'M A DOORMAN... TO THE SKY.

- YEAH, I'M A DOORMAN... TO THE SKY.

8:388:40#229
I'M A PILOT.

I'M A PILOT.

8:408:41#230
- OH, OKAY.

- OH, OKAY.

8:418:43#231
- WELL, LOOK, IT'S A PRETTY STANDARD WORKMAN'S COMP CLAIM.

- WELL, LOOK, IT'S A PRETTY STANDARD WORKMAN'S COMP CLAIM.

8:438:45#232
I'M SURE YOU COULD HANDLE IT.

I'M SURE YOU COULD HANDLE IT.

8:458:47#233
I WAS FLYING AT 7:00 A. M. FROM TAMPA TO LOUISVILLE,

I WAS FLYING AT 7:00 A. M. FROM TAMPA TO LOUISVILLE,

8:478:50#234
AND WE HAD A TWO-HOUR WEATHER DELAY,

AND WE HAD A TWO-HOUR WEATHER DELAY,

8:508:51#235
SO NATURALLY ALL THE PASSENGERS GOT DRUNK.

SO NATURALLY ALL THE PASSENGERS GOT DRUNK.

8:518:53#236
GENERALLY SPEAKING, IF THERE'S A DELAY

GENERALLY SPEAKING, IF THERE'S A DELAY

8:538:55#237
OF MORE THAN 20 MINUTES, I MIGHT AS WELL BE DRIVING A PARTY BUS.

OF MORE THAN 20 MINUTES, I MIGHT AS WELL BE DRIVING A PARTY BUS.

8:558:57#238
IT'S JUST IDIOCY.

IT'S JUST IDIOCY.

8:578:59#239
I DON'T KNOW WHAT'S GOING ON IN THIS COUNTRY.

I DON'T KNOW WHAT'S GOING ON IN THIS COUNTRY.

8:599:01#240
- I KNOW. PEOPLE WEAR FLIP-FLOPS TO CHURCH.

- I KNOW. PEOPLE WEAR FLIP-FLOPS TO CHURCH.

9:019:03#241
AND THE NBA TATTOO SITUATION IS OUT OF CONTROL.

AND THE NBA TATTOO SITUATION IS OUT OF CONTROL.

9:039:06#242
- THANK YOU. ANYWAY, WE'RE ABOUT A HALF HOUR INTO THE FLIGHT,

- THANK YOU. ANYWAY, WE'RE ABOUT A HALF HOUR INTO THE FLIGHT,

9:069:09#243
I HEAR THIS COMMOTION BEHIND ME IN THE CABIN,

I HEAR THIS COMMOTION BEHIND ME IN THE CABIN,

9:099:11#244
SO I EXIT THE COCKPIT, I GO DOWN THE AISLE,

SO I EXIT THE COCKPIT, I GO DOWN THE AISLE,

9:119:13#245
AND TO MY LEFT, I SEE--

AND TO MY LEFT, I SEE--

9:139:14#246
- [gasps] A TERRORIST?

- [gasps] A TERRORIST?

9:149:15#247
- NO. I WISH. IT'S A DRUNK LADY.

- NO. I WISH. IT'S A DRUNK LADY.

9:169:17#248
SHE'S PULLED HER PANTS OFF, AND SHE'S RANTING.

SHE'S PULLED HER PANTS OFF, AND SHE'S RANTING.

9:179:19#249
SHE'S COMPLAINING ABOUT THE IN-FLIGHT ENTERTAINMENT.

SHE'S COMPLAINING ABOUT THE IN-FLIGHT ENTERTAINMENT.

9:199:21#250
SO THINGS GOT A LITTLE HEATED...

SO THINGS GOT A LITTLE HEATED...

9:219:23#251
AND I HAD TO IMPLEMENT SKY LAW.

AND I HAD TO IMPLEMENT SKY LAW.

9:239:26#252
- WHAT'S... - SKY LAW.

- WHAT'S... - SKY LAW.

9:269:27#253
IT'S WHEN I PUT ON THE "FASTEN SEATBELT" SIGN,

IT'S WHEN I PUT ON THE "FASTEN SEATBELT" SIGN,

9:279:30#254
AND NO ONE'S ALLOWED TO MOVE

AND NO ONE'S ALLOWED TO MOVE

9:309:31#255
TILL WE'VE HAD TEN MINUTES OF SILENCE.

TILL WE'VE HAD TEN MINUTES OF SILENCE.

9:319:33#256
I MADE THE WHOLE THING UP.

I MADE THE WHOLE THING UP.

9:339:34#257
BUT, YOU KNOW, PEOPLE ARE STUPID,

BUT, YOU KNOW, PEOPLE ARE STUPID,

9:349:35#258
SO THEY DON'T QUESTION IT.

SO THEY DON'T QUESTION IT.

9:359:37#259
- THAT IS AWESOME.

- THAT IS AWESOME.

9:379:39#260
SO WHAT IS THE WORKMAN'S COMP PART OF THIS?

SO WHAT IS THE WORKMAN'S COMP PART OF THIS?

9:399:42#261
- EVENTUALLY, I FLIPPED THE DRUNK LADY OFF,

- EVENTUALLY, I FLIPPED THE DRUNK LADY OFF,

9:429:43#262
SHE BIT MY FINGER. - [laughs]

SHE BIT MY FINGER. - [laughs]

9:439:45#263
- I KNOW. IT WAS TOTALLY UNPROFESSIONAL.

- I KNOW. IT WAS TOTALLY UNPROFESSIONAL.

9:459:46#264
BUT SHE WAS BAGGING PRETTY HARD ON MY TGS.

BUT SHE WAS BAGGING PRETTY HARD ON MY TGS.

9:469:49#265
- WHAT? - TGS.

- WHAT? - TGS.

9:499:50#266
IT'S THIS LATE-NIGHT SHOW ON NBC.

IT'S THIS LATE-NIGHT SHOW ON NBC.

9:509:53#267
WE RUN IT IN-FLIGHT WHEN WE'RE NORTHWEST-BOUND.

WE RUN IT IN-FLIGHT WHEN WE'RE NORTHWEST-BOUND.

9:539:55#268
BASICALLY, THE GREATEST THING EVER ON TELEVISION.

BASICALLY, THE GREATEST THING EVER ON TELEVISION.

9:559:57#269
I DON'T STAND FOR ANYBODY BESMIRCHING IT ON MY AIRCRAFT.

I DON'T STAND FOR ANYBODY BESMIRCHING IT ON MY AIRCRAFT.

9:5710:00#270
- DO YOU BELIEVE IN FATE?

- DO YOU BELIEVE IN FATE?

10:0010:02#271
- WAIT A MINUTE. ARE YOU KIDDING ME?

- WAIT A MINUTE. ARE YOU KIDDING ME?

10:0610:07#272
YOU WRITE FOR TGS WITH TRACY JORDAN?

YOU WRITE FOR TGS WITH TRACY JORDAN?

10:0710:09#273
- I'M THE HEAD WRITER.

- I'M THE HEAD WRITER.

10:0910:10#274
I'M NOT AN INSURANCE CLAIMS ADJUSTOR.

I'M NOT AN INSURANCE CLAIMS ADJUSTOR.

10:1010:11#275
I'M JUST HERE BECAUSE MY COUSIN...

I'M JUST HERE BECAUSE MY COUSIN...

10:1210:15#276
- WELL, I MEAN, IT'S MY FAVORITE SHOW EVER.

- WELL, I MEAN, IT'S MY FAVORITE SHOW EVER.

10:1710:19#277
THERE'S THE ONE FART DOCTOR SKETCH

THERE'S THE ONE FART DOCTOR SKETCH

10:1910:22#278
WHERE THIS FART DOCTOR'S TRYING TO FIGURE OUT WHO FARTED

WHERE THIS FART DOCTOR'S TRYING TO FIGURE OUT WHO FARTED

10:2210:24#279
IN THE SPELLING BEE, AND HE'S LIKE...

IN THE SPELLING BEE, AND HE'S LIKE...

10:2410:25#280
- "HE WHO SPELT IT, DEALT IT."

- "HE WHO SPELT IT, DEALT IT."

10:2510:27#281
I WROTE THAT. I WRITE ALL OF THE FART DOCTORS.

I WROTE THAT. I WRITE ALL OF THE FART DOCTORS.

10:2710:29#282
- I CAN'T BELIEVE THIS.

- I CAN'T BELIEVE THIS.

10:2910:31#283
- WOULD YOU LIKE TO GO TO A RICH GIRL'S WEDDING WITH ME?

- WOULD YOU LIKE TO GO TO A RICH GIRL'S WEDDING WITH ME?

10:3310:35#284
- I DON'T KNOW. DOES THAT SOUND LIKE MORE FUN

- I DON'T KNOW. DOES THAT SOUND LIKE MORE FUN

10:3510:37#285
THAN ME EATING ALONE AT THE LAGUARDIA CHILI'S?

THAN ME EATING ALONE AT THE LAGUARDIA CHILI'S?

10:3710:39#286
- I WON'T LEAVE YOU, SIR.

- I WON'T LEAVE YOU, SIR.

10:4110:42#287
NO MATTER WHAT IT TAKES.

NO MATTER WHAT IT TAKES.

10:4210:44#288
GOOD AFTERNOON, AND WELCOME... NOT.

GOOD AFTERNOON, AND WELCOME... NOT.

10:4510:49#289
WE BEGIN OUR STUPID TOUR

WE BEGIN OUR STUPID TOUR

10:4910:50#290
OF THIS ONCE-GREAT NETWORK

OF THIS ONCE-GREAT NETWORK

10:5010:52#291
OUTSIDE STUDIO 6H.

OUTSIDE STUDIO 6H.

10:5210:54#292
UH-OH. RING-RING.

UH-OH. RING-RING.

10:5410:56#293
HMM. WHAT'S UP?

HMM. WHAT'S UP?

10:5710:59#294
NOTHING. JUST GIVING A DUMB TOUR TO A BUNCH OF UGGOS.

NOTHING. JUST GIVING A DUMB TOUR TO A BUNCH OF UGGOS.

10:5911:04#295
LET'S MEET UP LATER

LET'S MEET UP LATER

11:0411:05#296
AND SMOKE SOME DRUG CIGARETTES.

AND SMOKE SOME DRUG CIGARETTES.

11:0511:07#297
[Laughter]

[Laughter]

11:0911:10#298
- YOU'RE A PILOT, HUH?

- YOU'RE A PILOT, HUH?

11:1111:12#299
I SHOULD PICK YOUR BRAIN.

I SHOULD PICK YOUR BRAIN.

11:1211:14#300
I'M DEVELOPING A DAYTIME TALK SHOW WITH SULLY SULLENBERGER.

I'M DEVELOPING A DAYTIME TALK SHOW WITH SULLY SULLENBERGER.

11:1411:16#301
- YEAH, I MET THAT GUY.

- YEAH, I MET THAT GUY.

11:1611:17#302
HE'S NOT THAT GREAT.

HE'S NOT THAT GREAT.

11:1711:19#303
YOU KNOW WHAT A GREAT PILOT WOULD HAVE DONE?

YOU KNOW WHAT A GREAT PILOT WOULD HAVE DONE?

11:1911:20#304
NOT HIT THE BIRDS.

NOT HIT THE BIRDS.

11:2011:22#305
THAT'S WHAT I DO EVERY DAY-- NOT HIT BIRDS.

THAT'S WHAT I DO EVERY DAY-- NOT HIT BIRDS.

11:2211:24#306
WHERE'S MY TICKET TO THE GRAMMYS?

WHERE'S MY TICKET TO THE GRAMMYS?

11:2411:25#307
- HEY, WHAT TOOK YOU SO LONG IN THE BATHROOM?

- HEY, WHAT TOOK YOU SO LONG IN THE BATHROOM?

11:2511:27#308
- THE USUAL LADIES' ROOM NONSENSE.

- THE USUAL LADIES' ROOM NONSENSE.

11:2811:30#309
GIRL WITH BOYFRIEND TROUBLES.

GIRL WITH BOYFRIEND TROUBLES.

11:3011:31#310
SOMEONE FORGOT TAMPONS.

SOMEONE FORGOT TAMPONS.

11:3111:32#311
EVERYBODY'S BAD AT SCIENCE AND MATH.

EVERYBODY'S BAD AT SCIENCE AND MATH.

11:3211:34#312
YOU KNOW THE DRILL.

YOU KNOW THE DRILL.

11:3411:36#313
- THE CEREMONY WILL BE STARTING SOON.

- THE CEREMONY WILL BE STARTING SOON.

11:3611:37#314
- I'LL GET OUR TABLE NUMBER.

- I'LL GET OUR TABLE NUMBER.

11:3711:39#315
YOU GET AS MANY DRINKS AS YOU CAN CARRY.

YOU GET AS MANY DRINKS AS YOU CAN CARRY.

11:3911:41#316
- I'LL SEE YOU AT THE RECEPTION, LIZ.

- I'LL SEE YOU AT THE RECEPTION, LIZ.

11:4111:43#317
JACK. - CAROL.

JACK. - CAROL.

11:4311:45#318
- GET READY FOR SOME OF THIS.

- GET READY FOR SOME OF THIS.

11:4511:49#319
LATER.

LATER.

11:4911:51#320
- HE'S HERE WITH YOU?

- HE'S HERE WITH YOU?

11:5111:52#321
- INDEED HE IS.

- INDEED HE IS.

11:5211:53#322
I SEE THAT NANCY IS STILL HERE.

I SEE THAT NANCY IS STILL HERE.

11:5311:55#323
YOU'RE WELCOME.

YOU'RE WELCOME.

11:5511:57#324
- SMUG 40-YEAR-OLD BRIDESMAID. WHAT A TREAT FOR EVERYONE.

- SMUG 40-YEAR-OLD BRIDESMAID. WHAT A TREAT FOR EVERYONE.

11:5711:59#325
YES, LEMON, I AM WITH NANCY NOW.

YES, LEMON, I AM WITH NANCY NOW.

11:5912:02#326
- WHAT MADE UP YOUR MIND?

- WHAT MADE UP YOUR MIND?

12:0212:03#327
- WELL, I DECIDED THAT ANY DECISION

- WELL, I DECIDED THAT ANY DECISION

12:0312:04#328
WAS BETTER THAN NO DECISION AT ALL.

WAS BETTER THAN NO DECISION AT ALL.

12:0412:06#329
- HUH. I DON'T KNOW, JACK.

- HUH. I DON'T KNOW, JACK.

12:0612:07#330
I USED TO FEEL THAT WAY TOO, BUT NOW I KNOW.

I USED TO FEEL THAT WAY TOO, BUT NOW I KNOW.

12:0712:09#331
YOU CAN'T FORCE YOUR FATE.

YOU CAN'T FORCE YOUR FATE.

12:0912:11#332
YOU JUST HAVE TO LET IT WASH OVER YOU,

YOU JUST HAVE TO LET IT WASH OVER YOU,

12:1112:13#333
LIKE A SPRAY TAN THAT WON'T TAKE BECAUSE YOUR SKIN IS TOO OILY.

LIKE A SPRAY TAN THAT WON'T TAKE BECAUSE YOUR SKIN IS TOO OILY.

12:1312:15#334
- THAT'S ABSURD, LEMON.

- THAT'S ABSURD, LEMON.

12:1512:17#335
THE WORLD IS MADE BY THOSE WHO CONTROL

THE WORLD IS MADE BY THOSE WHO CONTROL

12:1712:18#336
THEIR OWN DESTINY.

THEIR OWN DESTINY.

12:1812:19#337
IT ISN'T MADE BY THOSE WHO DON'T DO.

IT ISN'T MADE BY THOSE WHO DON'T DO.

12:1912:21#338
IT'S MADE BY THOSE WHO DO DO,

IT'S MADE BY THOSE WHO DO DO,

12:2112:23#339
WHICH IS WHAT MADE ME THE MAN I AM.

WHICH IS WHAT MADE ME THE MAN I AM.

12:2312:25#340
I DO DO.

I DO DO.

12:2512:26#341
- YEAH.

- YEAH.

12:2612:27#342
- GROW UP, LEMON.

- GROW UP, LEMON.

12:2712:29#343
THE POINT IS I MADE MY CHOICE, AND I'M NOT LOOKING BACK.

THE POINT IS I MADE MY CHOICE, AND I'M NOT LOOKING BACK.

12:2912:31#344
PERIOD. - PERIOD.

PERIOD. - PERIOD.

12:3112:32#345
- AVERY JESSUP?

- AVERY JESSUP?

12:3912:41#346
SON OF A--

SON OF A--

12:4112:42#347
[Thud]

[Thud]

12:4212:43#348
- WHAT DID YOU DO ON YOUR TOUR TODAY?

- WHAT DID YOU DO ON YOUR TOUR TODAY?

12:4312:44#349
THOSE WERE THE KABLETOWN EXECUTIVES.

THOSE WERE THE KABLETOWN EXECUTIVES.

12:4412:46#350
OUR NEW BOSSES.

OUR NEW BOSSES.

12:4612:47#351
- SIR, I WAS JUST TRYING TO DO A BAD JOB

- SIR, I WAS JUST TRYING TO DO A BAD JOB

12:4712:50#352
SO I WOULDN'T HAVE TO GO TO LOS ANGELES.

SO I WOULDN'T HAVE TO GO TO LOS ANGELES.

12:5012:52#353
EVERYONE THERE SMILES CREEPILY ALL THE TIME.

EVERYONE THERE SMILES CREEPILY ALL THE TIME.

12:5212:54#354
AND THAT'S SORT OF MY THING.

AND THAT'S SORT OF MY THING.

12:5412:56#355
- KENNETH, YOU'RE NOT GOING

- KENNETH, YOU'RE NOT GOING

12:5612:57#356
TO LOS ANGELES. - OH.

TO LOS ANGELES. - OH.

12:5712:59#357
- BECAUSE THEY'RE MAKING ME FIRE YOU.

- BECAUSE THEY'RE MAKING ME FIRE YOU.

12:5913:01#358
YOU'RE FIRED.

YOU'RE FIRED.

13:0113:04#359
[Door opens and shuts]

[Door opens and shuts]

13:1913:21#360
- READY?

- READY?

13:2413:25#361
- HERE. THIS IS YOURS.

- HERE. THIS IS YOURS.

13:2513:27#362
- OH, NANCY, I'M SORRY.

- OH, NANCY, I'M SORRY.

13:2713:29#363
THIS IS AN EMBARRASSING OVERSIGHT.

THIS IS AN EMBARRASSING OVERSIGHT.

13:2913:31#364
- JACK, THIS MORNING AT CHURCH,

- JACK, THIS MORNING AT CHURCH,

13:3113:32#365
YOU TOLD ME ALL THE REASONS THAT YOU LOVED ME,

YOU TOLD ME ALL THE REASONS THAT YOU LOVED ME,

13:3213:34#366
SOME MORE GRAPHIC

SOME MORE GRAPHIC

13:3413:35#367
THAN WERE APPROPRIATE FOR THE SETTING.

THAN WERE APPROPRIATE FOR THE SETTING.

13:3513:37#368
NOW I WANT YOU TO TELL ME

NOW I WANT YOU TO TELL ME

13:3713:38#369
WHAT'S SO SPECIAL ABOUT THIS OTHER WOMAN.

WHAT'S SO SPECIAL ABOUT THIS OTHER WOMAN.

13:3813:41#370
- WELL, I LIKE HOW SHE'S LESS HOT THAN YOU.

- WELL, I LIKE HOW SHE'S LESS HOT THAN YOU.

13:4113:43#371
- I'M SERIOUS.

- I'M SERIOUS.

13:4313:44#372
- WHAT CAN I SAY?

- WHAT CAN I SAY?

13:4513:46#373
SHE'S SMART. SHE'S PRETTY.

SHE'S SMART. SHE'S PRETTY.

13:4613:48#374
SHE CAN TELL YOU THE DOW 40 IN ORDER OF MARKET CAP.

SHE CAN TELL YOU THE DOW 40 IN ORDER OF MARKET CAP.

13:4813:50#375
SHE KNOWS HOW TO FIELD DRESS A DEER.

SHE KNOWS HOW TO FIELD DRESS A DEER.

13:5013:52#376
WHY DO YOU-- - GO ON.

WHY DO YOU-- - GO ON.

13:5213:53#377
- OKAY.

- OKAY.

13:5313:56#378
- HER LAUGH IS LIKE MUSIC.

- HER LAUGH IS LIKE MUSIC.

13:5614:00#379
REALLY MEAN MUSIC.

REALLY MEAN MUSIC.

14:0014:01#380
AND SHE ALWAYS WEARS HIGH HEELS

AND SHE ALWAYS WEARS HIGH HEELS

14:0114:02#381
BECAUSE, ACCORDING TO HER, FLAT SHOES ARE FOR QUITTERS.

BECAUSE, ACCORDING TO HER, FLAT SHOES ARE FOR QUITTERS.

14:0314:06#382
FOR GOD'S SAKE, WHAT CAN I SAY?

FOR GOD'S SAKE, WHAT CAN I SAY?

14:0614:08#383
YOU'D LIKE HER. - SO YOU WEREN'T LYING

YOU'D LIKE HER. - SO YOU WEREN'T LYING

14:0814:10#384
WHEN YOU SAID YOU WERE IN LOVE WITH TWO WOMEN?

WHEN YOU SAID YOU WERE IN LOVE WITH TWO WOMEN?

14:1014:11#385
- NO. I WASN'T LYING. - GOOD.

- NO. I WASN'T LYING. - GOOD.

14:1114:13#386
THEN I FEEL A LOT BETTER ABOUT LEAVING.

THEN I FEEL A LOT BETTER ABOUT LEAVING.

14:1314:15#387
- WHAT? - AVERY'S HERE, JACK.

- WHAT? - AVERY'S HERE, JACK.

14:1514:17#388
AND SHE'S PREGNANT.

AND SHE'S PREGNANT.

14:2014:22#389
- OH, MY GOD.

- OH, MY GOD.

14:2214:24#390
THIS IS CRAZY.

THIS IS CRAZY.

14:2414:26#391
- AH, IT'S FATE.

- AH, IT'S FATE.

14:2614:27#392
YOU WERE SUPPOSED TO BE A DAD.

YOU WERE SUPPOSED TO BE A DAD.

14:2714:29#393
AND BY THE WAY, WHEN I BLEW YOUR MIND LAST NIGHT,

AND BY THE WAY, WHEN I BLEW YOUR MIND LAST NIGHT,

14:2914:32#394
I WAS GIVING IT ABOUT 50%. [Clicks tongue]

I WAS GIVING IT ABOUT 50%. [Clicks tongue]

14:3214:37#395
- UNHAND MY FIANCEE!

- UNHAND MY FIANCEE!

14:3714:38#396
- NO, NO, HE'S JUST A GROOMSMAN.

- NO, NO, HE'S JUST A GROOMSMAN.

14:3814:41#397
AND A SOMALI PIRATE. CAREFUL.

AND A SOMALI PIRATE. CAREFUL.

14:4114:43#398
- YOU TRIED TO END OUR ENGAGEMENT

- YOU TRIED TO END OUR ENGAGEMENT

14:4314:45#399
WITH A TEXTUAL TRANSMISSION.

WITH A TEXTUAL TRANSMISSION.

14:4514:47#400
YOUR BEHAVIOR AS A FIANCEE

YOUR BEHAVIOR AS A FIANCEE

14:4814:50#401
HAS BEEN AS WEAK AS AMERICAN TEA.

HAS BEEN AS WEAK AS AMERICAN TEA.

14:5014:53#402
THERE. I'VE SAID IT.

THERE. I'VE SAID IT.

14:5314:54#403
OUR FIRST ARGUMENT, EVERYONE.

OUR FIRST ARGUMENT, EVERYONE.

14:5414:57#404
- YOU'RE ENGAGED?

- YOU'RE ENGAGED?

14:5714:59#405
WHAT IF THE BACHELORETTE PARTY THEME WAS SLUTS?

WHAT IF THE BACHELORETTE PARTY THEME WAS SLUTS?

14:5915:01#406
- NO, THE ENGAGEMENT IS OFF.

- NO, THE ENGAGEMENT IS OFF.

15:0115:03#407
YOU KEEP TALKING ABOUT HOW FATE IS TRYING TO PUSH US TOGETHER.

YOU KEEP TALKING ABOUT HOW FATE IS TRYING TO PUSH US TOGETHER.

15:0315:07#408
YOU KNOW WHAT, IT IS. BUT NOT TO MEET YOU.

YOU KNOW WHAT, IT IS. BUT NOT TO MEET YOU.

15:0715:09#409
TO MEET THE RIGHT MAN.

TO MEET THE RIGHT MAN.

15:0915:11#410
HIS NAME IS CAROL.

HIS NAME IS CAROL.

15:1115:13#411
LIKE CARROLL O'CONNOR FROM NICK AT NITE.

LIKE CARROLL O'CONNOR FROM NICK AT NITE.

15:1315:15#412
- EXACTLY, CERIE. THANK YOU.

- EXACTLY, CERIE. THANK YOU.

15:1515:16#413
CAROL IS THE ONE THAT I WAS FATED TO MEET.

CAROL IS THE ONE THAT I WAS FATED TO MEET.

15:1615:19#414
AND, YEAH, I'VE ONLY KNOWN HIM FOR A FEW HOURS,

AND, YEAH, I'VE ONLY KNOWN HIM FOR A FEW HOURS,

15:1915:21#415
AND MAYBE THIS SOUNDS CRAZY,

AND MAYBE THIS SOUNDS CRAZY,

15:2115:23#416
BUT I ALREADY FEEL LIKE I COULD SPEND

BUT I ALREADY FEEL LIKE I COULD SPEND

15:2315:24#417
THE REST OF MY LIFE WITH HIM.

THE REST OF MY LIFE WITH HIM.

15:2415:26#418
HE'S THE ONE THAT I'VE BEEN WAITING FOR.

HE'S THE ONE THAT I'VE BEEN WAITING FOR.

15:2615:29#419
AND SOMEDAY, WHEN CAROL SEES MY DISGUSTING FOOT SECRET,

AND SOMEDAY, WHEN CAROL SEES MY DISGUSTING FOOT SECRET,

15:2915:33#420
HE'S GONNA BE OKAY WITH IT.

HE'S GONNA BE OKAY WITH IT.

15:3315:34#421
I CAN TELL.

I CAN TELL.

15:3515:36#422
YOU WERE WRONG, WESLEY.

YOU WERE WRONG, WESLEY.

15:3615:38#423
WE DON'T HAVE TO SETTLE.

WE DON'T HAVE TO SETTLE.

15:3815:39#424
THE MOMS WERE WRONG.

THE MOMS WERE WRONG.

15:3915:40#425
STUPID BUZZ ALDRIN WAS WRONG.

STUPID BUZZ ALDRIN WAS WRONG.

15:4015:43#426
SO THANK YOU AND GOOD-BYE.

SO THANK YOU AND GOOD-BYE.

15:4315:45#427
PRAISE TO THE UNIVERSE. LOVE IS REAL!

PRAISE TO THE UNIVERSE. LOVE IS REAL!

15:4515:49#428
- FINE.

- FINE.

15:5115:52#429
IT'S YOUR LOSS.

IT'S YOUR LOSS.

15:5215:54#430
THERE'S ONLY ONE WESLEY SNIPES IN THIS WORLD.

THERE'S ONLY ONE WESLEY SNIPES IN THIS WORLD.

15:5415:57#431
- YOU KNOW THERE ISN'T.

- YOU KNOW THERE ISN'T.

15:5715:59#432
- [grunts angrily]

- [grunts angrily]

15:5916:00#433
- HOW MUCH OF THAT DID YOU HEAR?

- HOW MUCH OF THAT DID YOU HEAR?

16:0416:05#434
- WELL, YOU WERE ENGAGED.

- WELL, YOU WERE ENGAGED.

16:0516:07#435
APPARENTLY YOU HATE BUZZ ALDRIN.

APPARENTLY YOU HATE BUZZ ALDRIN.

16:0716:08#436
FOOT PROBLEM.

FOOT PROBLEM.

16:0816:10#437
AND YOU AND I ARE GOING TO SPEND

AND YOU AND I ARE GOING TO SPEND

16:1016:11#438
THE REST OF OUR LIVES TOGETHER.

THE REST OF OUR LIVES TOGETHER.

16:1116:12#439
- I SEE.

- I SEE.

16:1216:14#440
I'M SURE YOU COULD GET A CAB ON HOUSTON.

I'M SURE YOU COULD GET A CAB ON HOUSTON.

16:1416:16#441
- YEAH, I'M GONNA DEPART.

- YEAH, I'M GONNA DEPART.

16:1716:19#442
ON TIME.

ON TIME.

16:1916:21#443
I'M A PILOT.

I'M A PILOT.

16:2116:23#444
- [sighs]

- [sighs]

16:2716:29#445
- JACK.

- JACK.

16:2916:30#446
- CAROL.

- CAROL.

16:3016:32#447
- ♪ IN YOUR EYES

- ♪ IN YOUR EYES

16:3216:33#448
♪ IN YOUR EYES

♪ IN YOUR EYES

16:3316:38#449
♪ THERE IS A LIGHT

♪ THERE IS A LIGHT

16:3816:42#450
♪ IN YOUR EYES

♪ IN YOUR EYES

16:4216:45#451
♪ IN YOUR EYES

♪ IN YOUR EYES

16:4616:49#452
- COULD YOU TURN THAT DOWN, PLEASE?

- COULD YOU TURN THAT DOWN, PLEASE?

16:4916:51#453
- ♪ THERE IS A LIGHT

- ♪ THERE IS A LIGHT

16:5116:52#454
[Music ends]

[Music ends]

16:5216:53#455
- MAZEL TOV.

- MAZEL TOV.

16:5316:55#456
- I'M TRYING TO TELL YOU I WANT TO GET MARRIED.

- I'M TRYING TO TELL YOU I WANT TO GET MARRIED.

16:5516:58#457
- OH, FOR GOD'S SAKES, JACK.

- OH, FOR GOD'S SAKES, JACK.

16:5817:00#458
WHAT DO YOU THINK, YOU'RE JUST GONNA SWEEP ME OFF MY FEET?

WHAT DO YOU THINK, YOU'RE JUST GONNA SWEEP ME OFF MY FEET?

17:0017:02#459
THIS PREGNANCY IS TWO YEARS AHEAD OF SCHEDULE.

THIS PREGNANCY IS TWO YEARS AHEAD OF SCHEDULE.

17:0217:05#460
I'M SUING DODECACIL.

I'M SUING DODECACIL.

17:0517:06#461
I'M SUING YOU. I'M SUING THIS BABY.

I'M SUING YOU. I'M SUING THIS BABY.

17:0717:08#462
- YOU CAN'T CONTROL EVERYTHING, AVERY.

- YOU CAN'T CONTROL EVERYTHING, AVERY.

17:0917:10#463
SOMETIMES IT'S JUST FATE.

SOMETIMES IT'S JUST FATE.

17:1017:11#464
- UGH. IS THEIR GAY JUICE IN THE CHAMPAGNE?

- UGH. IS THEIR GAY JUICE IN THE CHAMPAGNE?

17:1117:14#465
- SEE. I WANT YOU TO TEACH OUR CHILD

- SEE. I WANT YOU TO TEACH OUR CHILD

17:1417:16#466
HOW TO SAY AWESOME STUFF LIKE THAT.

HOW TO SAY AWESOME STUFF LIKE THAT.

17:1617:17#467
- I WOULD BE A KICK-ASS MOM.

- I WOULD BE A KICK-ASS MOM.

17:1717:20#468
BUT IF THIS IS JUST YOU TRYING TO DO THE RIGHT THING--

BUT IF THIS IS JUST YOU TRYING TO DO THE RIGHT THING--

17:2017:23#469
- NO. I WANT THIS.

- NO. I WANT THIS.

17:2317:24#470
I'VE ALWAYS WANTED THIS.

I'VE ALWAYS WANTED THIS.

17:2417:27#471
BUT MAYBE IT'S TOO HARD.

BUT MAYBE IT'S TOO HARD.

17:2717:28#472
THE CAREER, MOTHERHOOD,

THE CAREER, MOTHERHOOD,

17:2817:30#473
KEEPING IT TIGHT

KEEPING IT TIGHT

17:3017:31#474
TO STAY CAMERA-READY FOR BREAKING NEWS.

TO STAY CAMERA-READY FOR BREAKING NEWS.

17:3117:33#475
I MEAN, SURE, SOLEDAD O'BRIEN DOES IT, BUT--

I MEAN, SURE, SOLEDAD O'BRIEN DOES IT, BUT--

17:3317:35#476
- I WIPE THE FLOOR WITH THAT BITCH.

- I WIPE THE FLOOR WITH THAT BITCH.

17:3517:37#477
LET'S DO THIS.

LET'S DO THIS.

17:3917:42#478
- LOVE IS PATIENT.

- LOVE IS PATIENT.

17:4217:44#479
LOVE IS WEIRD AND SOMETIMES GROSS.

LOVE IS WEIRD AND SOMETIMES GROSS.

17:4417:47#480
LOVE IS ELUSIVE, AND YOU HAVE FOUND IT.

LOVE IS ELUSIVE, AND YOU HAVE FOUND IT.

17:4717:50#481
SO TREASURE IT.

SO TREASURE IT.

17:5017:51#482
TO GRIZZ AND FEYONCE.

TO GRIZZ AND FEYONCE.

17:5117:52#483
[Applause]

[Applause]

17:5317:55#484
- ON BEHALF OF GRIZZ AND FEYONCE,

- ON BEHALF OF GRIZZ AND FEYONCE,

17:5517:57#485
I'D LIKE TO THANK JACK DONAGHY

I'D LIKE TO THANK JACK DONAGHY

17:5817:59#486
FOR LETTING US HAVE THIS RECEPTION HERE

FOR LETTING US HAVE THIS RECEPTION HERE

17:5918:01#487
AFTER THE OTHER LOCATION COULDN'T SUPPORT THE WEIGHT

AFTER THE OTHER LOCATION COULDN'T SUPPORT THE WEIGHT

18:0218:04#488
OF GRIZZ'S EXTENDED FAMILY.

OF GRIZZ'S EXTENDED FAMILY.

18:0418:07#489
[Applause]

[Applause]

18:0718:10#490
- NATURALLY, I BLEW IT.

- NATURALLY, I BLEW IT.

18:1418:15#491
NOW I'M ALONE IN A DASHIKI.

NOW I'M ALONE IN A DASHIKI.

18:1518:17#492
I WONDER WHAT THAT SOMALI PIRATE'S DEAL IS.

I WONDER WHAT THAT SOMALI PIRATE'S DEAL IS.

18:1718:20#493
I COULD LIVE ON A BOAT.

I COULD LIVE ON A BOAT.

18:2018:21#494
- I DON'T EVEN KNOW WHERE PAUL WENT.

- I DON'T EVEN KNOW WHERE PAUL WENT.

18:2118:23#495
I GUESS HE MADE HIS CHOICE.

I GUESS HE MADE HIS CHOICE.

18:2318:24#496
- YOU KNOW WHAT? FORGET MEN.

- YOU KNOW WHAT? FORGET MEN.

18:2418:26#497
WE'VE GOT EACH OTHER.

WE'VE GOT EACH OTHER.

18:2618:27#498
- YEAH. LET'S GO LEZ.

- YEAH. LET'S GO LEZ.

18:2718:29#499
- NO, I MEANT, LIKE, A BOOK CLUB OR SOMETHING. JEEZ.

- NO, I MEANT, LIKE, A BOOK CLUB OR SOMETHING. JEEZ.

18:2918:31#500
- RIGHT. SISTERHOOD.

- RIGHT. SISTERHOOD.

18:3118:33#501
THAT'S SOMETHING WE CAN COUNT ON.

THAT'S SOMETHING WE CAN COUNT ON.

18:3318:34#502
I'LL NEVER-- IS THAT PAUL?

I'LL NEVER-- IS THAT PAUL?

18:3418:36#503
- YOU HAVE A LOT OF TAPED-UP BALLS

- YOU HAVE A LOT OF TAPED-UP BALLS

18:3818:40#504
TO COME HERE DRESSED LIKE THAT.

TO COME HERE DRESSED LIKE THAT.

18:4018:42#505
- OH, MY GOD.

- OH, MY GOD.

18:4218:43#506
- IF THIS IS GONNA WORK, JENNA,

- IF THIS IS GONNA WORK, JENNA,

18:4418:45#507
IT CAN'T JUST BE ALL ABOUT YOU.

IT CAN'T JUST BE ALL ABOUT YOU.

18:4518:47#508
- BUT... - NO BUTS.

- BUT... - NO BUTS.

18:4718:49#509
I'M THE MAN HERE, AND YOU'RE GONNA RESPECT ME.

I'M THE MAN HERE, AND YOU'RE GONNA RESPECT ME.

18:4918:51#510
- YES, SHMA'AM.

- YES, SHMA'AM.

18:5118:55#511
- LEMON, YOU KNOW THAT'S A YOUNG BOY'S PUBERTY DASHIKI.

- LEMON, YOU KNOW THAT'S A YOUNG BOY'S PUBERTY DASHIKI.

18:5819:01#512
- WRONG, JACK. IT'S A WARLORD'S CONCUBINE DASHIKI.

- WRONG, JACK. IT'S A WARLORD'S CONCUBINE DASHIKI.

19:0119:03#513
AVERY, YOU'RE HERE.

AVERY, YOU'RE HERE.

19:0319:05#514
I'M NOT SURPRISED. WHY SHOULD I BE?

I'M NOT SURPRISED. WHY SHOULD I BE?

19:0519:07#515
- AND I'M PREGNANT.

- AND I'M PREGNANT.

19:0719:08#516
- ALSO NOT SHOCKING ME. REACTING APPROPRIATELY.

- ALSO NOT SHOCKING ME. REACTING APPROPRIATELY.

19:0819:12#517
- LEMON, I THINK YOUR PILOT FRIEND IS LOOKING FOR YOU.

- LEMON, I THINK YOUR PILOT FRIEND IS LOOKING FOR YOU.

19:1219:14#518
- [scoffs] SO?

- [scoffs] SO?

19:1619:19#519
I THOUGHT HE WAS GONE FOREVER.

I THOUGHT HE WAS GONE FOREVER.

19:1919:21#520
I GUESS I SHOULD GO TALK TO HIM.

I GUESS I SHOULD GO TALK TO HIM.

19:2119:23#521
CAROL, WHAT ARE YOU DOING HERE?

CAROL, WHAT ARE YOU DOING HERE?

19:2519:26#522
HOW DID YOU GET PAST SECURITY?

HOW DID YOU GET PAST SECURITY?

19:2619:28#523
- YOU WALK BRISKLY IN A PILOT'S UNIFORM,

- YOU WALK BRISKLY IN A PILOT'S UNIFORM,

19:2819:29#524
YOU CAN GO PRETTY MUCH ANYWHERE.

YOU CAN GO PRETTY MUCH ANYWHERE.

19:2919:31#525
I'VE BEEN UPSTAIRS IN THE WHITE HOUSE

I'VE BEEN UPSTAIRS IN THE WHITE HOUSE

19:3119:32#526
WHILE THE OBAMAS WERE SLEEPING.

WHILE THE OBAMAS WERE SLEEPING.

19:3219:33#527
- I THOUGHT YOU HAD A FLIGHT.

- I THOUGHT YOU HAD A FLIGHT.

19:3319:35#528
- YEAH, I DO. THOSE DIRT BAGS CAN WAIT

- YEAH, I DO. THOSE DIRT BAGS CAN WAIT

19:3519:37#529
ON THE RUNWAY A COUPLE MORE HOURS.

ON THE RUNWAY A COUPLE MORE HOURS.

19:3719:38#530
- I HATE PEOPLE TOO.

- I HATE PEOPLE TOO.

19:3819:41#531
- LOOK, I'M 39 YEARS OLD, I'M SINGLE,

- LOOK, I'M 39 YEARS OLD, I'M SINGLE,

19:4119:43#532
AND LATELY I'VE BEEN THINKING THERE'S A REASON FOR THAT.

AND LATELY I'VE BEEN THINKING THERE'S A REASON FOR THAT.

19:4319:46#533
I KEEP EXPECTING PEOPLE TO BE PERFECT,

I KEEP EXPECTING PEOPLE TO BE PERFECT,

19:4619:47#534
BUT NOBODY'S PERFECT. - YES. EXACTLY.

BUT NOBODY'S PERFECT. - YES. EXACTLY.

19:4719:49#535
- SO IF THE WORST THING ABOUT YOU

- SO IF THE WORST THING ABOUT YOU

19:4919:51#536
IS THAT YOU GIVE CRAZY SPEECHES TO FIANCES

IS THAT YOU GIVE CRAZY SPEECHES TO FIANCES

19:5119:53#537
AND MAYBE YOU HAVE SOME KIND OF FOOT THING...

AND MAYBE YOU HAVE SOME KIND OF FOOT THING...

19:5319:55#538
- THAT WAS A JOKE. I HAVE MEDICINE FOR IT.

- THAT WAS A JOKE. I HAVE MEDICINE FOR IT.

19:5519:57#539
- WHY DON'T WE GIVE THIS A SHOT?

- WHY DON'T WE GIVE THIS A SHOT?

19:5719:58#540
AS LONG AS YOU'RE NOT JEWISH. I'M TOTALLY KIDDING.

AS LONG AS YOU'RE NOT JEWISH. I'M TOTALLY KIDDING.

19:5820:01#541
- YES. LET'S DO THIS.

- YES. LET'S DO THIS.

20:0120:02#542
AND HONESTLY, CAROL, I AM A VERY NORMAL PERSON.

AND HONESTLY, CAROL, I AM A VERY NORMAL PERSON.

20:0320:06#543
NOT A GOOD TIME, GUYS.

NOT A GOOD TIME, GUYS.

20:0620:07#544
- LIZ, CHER AND ME,

- LIZ, CHER AND ME,

20:0720:10#545
PAUL, AND I WANT TO THANK YOU FOR BEING A PART

PAUL, AND I WANT TO THANK YOU FOR BEING A PART

20:1020:12#546
OF OUR LIVES.

OF OUR LIVES.

20:1220:13#547
- AND FOR ENCOURAGING US TO BE LIKE THIS.

- AND FOR ENCOURAGING US TO BE LIKE THIS.

20:1320:15#548
- I CAN'T BELIEVE I'M MEETING

- I CAN'T BELIEVE I'M MEETING

20:1520:17#549
1 1/2 JENNA MARONEYS RIGHT NOW.

1 1/2 JENNA MARONEYS RIGHT NOW.

20:1720:19#550
HI. HI, THERE. - HI.

HI. HI, THERE. - HI.

20:1920:20#551
- CAROL. - CAROL. THAT'S A GIRL'S NAME.

- CAROL. - CAROL. THAT'S A GIRL'S NAME.

20:2020:22#552
- IT'S A FAMILY NAME.

- IT'S A FAMILY NAME.

20:2220:23#553
[Microphone feedback]

[Microphone feedback]

20:2320:24#554
- HEY, EVERYBODY.

- HEY, EVERYBODY.

20:2420:25#555
I GOT FIRED TODAY.

I GOT FIRED TODAY.

20:2620:28#556
YOU WON'T HAVE KENNETH ELLEN PARCELL TO KICK AROUND ANYMORE,

YOU WON'T HAVE KENNETH ELLEN PARCELL TO KICK AROUND ANYMORE,

20:2820:32#557
SO I WANT TO TELL YOU PEOPLE

SO I WANT TO TELL YOU PEOPLE

20:3220:35#558
WHAT I REALLY THINK OF YOU.

WHAT I REALLY THINK OF YOU.

20:3520:37#559
- HEY, THIS AIN'T THE-- - NO. NO.

- HEY, THIS AIN'T THE-- - NO. NO.

20:3720:39#560
FOR FOUR LONG YEARS, I HAVE LISTENED TO YOU ALL COMPLAIN

FOR FOUR LONG YEARS, I HAVE LISTENED TO YOU ALL COMPLAIN

20:4020:45#561
ABOUT YOUR EAST COAST MEDIA ELITE PROBLEMS,

ABOUT YOUR EAST COAST MEDIA ELITE PROBLEMS,

20:4520:50#562
YOUR APARTMENT RENOVATIONS,

YOUR APARTMENT RENOVATIONS,

20:5020:52#563
AND YOUR OVERPRICED STAR WARSMEMORABILIA.

AND YOUR OVERPRICED STAR WARSMEMORABILIA.

20:5220:56#564
- THAT DOORMAN IS HAMMERED.

- THAT DOORMAN IS HAMMERED.

20:5620:57#565
- I HAVE WATCHED YOU

- I HAVE WATCHED YOU

20:5720:59#566
THROW AWAY BETTER FOOD

THROW AWAY BETTER FOOD

20:5921:02#567
THAN MY FAMILY EATS AT CHRISTMAS.

THAN MY FAMILY EATS AT CHRISTMAS.

21:0221:06#568
AND I HAVE LOVED IT.

AND I HAVE LOVED IT.

21:0621:10#569
YOU PEOPLE, YOU ARE MY BEST FRIENDS,

YOU PEOPLE, YOU ARE MY BEST FRIENDS,

21:1021:13#570
AND I HOPE YOU GET EVERYTHING

AND I HOPE YOU GET EVERYTHING

21:1321:16#571
YOU WANT IN LIFE.

YOU WANT IN LIFE.

21:1621:19#572
[Feedback]

[Feedback]

21:1921:20#573
- KENNETH! - [yells]

- KENNETH! - [yells]

21:2021:23#574
SO KISS MY FACE!

SO KISS MY FACE!

21:2321:25#575
- THAT WAS ACTUALLY REALLY SWEET.

- THAT WAS ACTUALLY REALLY SWEET.

21:2521:27#576
- I'LL SEE YOU ALL IN HEAVEN!

- I'LL SEE YOU ALL IN HEAVEN!

21:2721:30#577
HAVE A WONDERFUL SUMMER!

HAVE A WONDERFUL SUMMER!

21:3321:35#578
All: ♪ JOYFUL, JOYFUL

All: ♪ JOYFUL, JOYFUL

21:3821:39#579
♪ EVERYBODY BE JOYFUL, OH, HAPPY DAY ♪

♪ EVERYBODY BE JOYFUL, OH, HAPPY DAY ♪

21:3921:42#580
♪ OH, HAPPY DAY

♪ OH, HAPPY DAY

21:4221:43#581
[Scatting]

[Scatting]

21:4421:45#582
♪ OPEN, OPEN

♪ OPEN, OPEN

21:4521:47#583
♪ YOUR HEART UP TO HEAVEN ♪

♪ YOUR HEART UP TO HEAVEN ♪

21:4721:48#584
♪ OH, HAPPY DAY

♪ OH, HAPPY DAY

21:4821:50#585
♪ OH, HAPPY DAY

♪ OH, HAPPY DAY

21:5021:52#586
♪ NO MORE SHOULD WE WANDER IN DARKNESS ♪

♪ NO MORE SHOULD WE WANDER IN DARKNESS ♪

21:5221:56#587
♪ THE SHADOWS HAVE FADED AWAY ♪

♪ THE SHADOWS HAVE FADED AWAY ♪

21:5622:00#588
♪ WHEN YOU OPEN

♪ WHEN YOU OPEN

22:0022:02#589
♪ YOUR HEART UP TO HEAVEN ♪

♪ YOUR HEART UP TO HEAVEN ♪

22:0222:04#590
♪ OH, HAPPY DAY

♪ OH, HAPPY DAY

22:0422:05#591
[Scatting]

[Scatting]

22:0522:06#592
♪ HAPPY DAY, OH, HAPPY AND JOYFUL ♪

♪ HAPPY DAY, OH, HAPPY AND JOYFUL ♪

22:0622:08#593
♪ HEAVEN AND 30 ROCK

♪ HEAVEN AND 30 ROCK

22:0822:10#594