Not Kenneth
Season 4
S04 · E07~21 min608 quotes

Dealbreakers Talk Show #0001

- THERE'S A LOT OF HISTORY IN STUDIO 4C.

- THERE'S A LOT OF HISTORY IN STUDIO 4C.

0:020:05#1
TO CATCH A PREDATOR, THE XFL HALFTIME SHOW,

TO CATCH A PREDATOR, THE XFL HALFTIME SHOW,

0:050:07#2
STORAGE FOR BROKEN COPIER EQUIPMENT,

STORAGE FOR BROKEN COPIER EQUIPMENT,

0:070:09#3
AND NOW... DEALBREAKERS.

AND NOW... DEALBREAKERS.

0:090:12#4
- LIZ LEMON'S GOT HER VERY OWN TALK SHOW!

- LIZ LEMON'S GOT HER VERY OWN TALK SHOW!

0:120:16#5
♪ I'M A STAR

♪ I'M A STAR

0:170:19#6
♪ I'M ON TOP

♪ I'M ON TOP

0:190:20#7
♪ SOMEBODY BRING ME SOME HAM ♪

♪ SOMEBODY BRING ME SOME HAM ♪

0:200:26#8
I USED TO SING THAT WHEN I WAS A KID.

I USED TO SING THAT WHEN I WAS A KID.

0:260:27#9
- YES, WELL, IT'S REALLY HAPPENING FOR YOU, LEMON.

- YES, WELL, IT'S REALLY HAPPENING FOR YOU, LEMON.

0:270:29#10
BETWEEN TGSAND THIS,

BETWEEN TGSAND THIS,

0:290:31#11
YOU'RE LIKE A SWARTHY, BIG-HIPPED KELLY RIPA.

YOU'RE LIKE A SWARTHY, BIG-HIPPED KELLY RIPA.

0:310:33#12
- I KNOW. I MEAN, IF THIS WORKS,

- I KNOW. I MEAN, IF THIS WORKS,

0:330:35#13
MY LIFE WILL BE TOTALLY DIFFERENT.

MY LIFE WILL BE TOTALLY DIFFERENT.

0:350:38#14
[Theme from A Summer Place]

[Theme from A Summer Place]

0:380:41#15
♪

0:410:46#16
[Slurps]

[Slurps]

0:460:47#17
- I HAVE TO GO BACK INTO SPACE, LIZ.

- I HAVE TO GO BACK INTO SPACE, LIZ.

0:490:51#18
I HOPE YOU ENJOYED THE KISSING,

I HOPE YOU ENJOYED THE KISSING,

0:510:53#19
FOLLOWED BY MY GENUINE INTEREST

FOLLOWED BY MY GENUINE INTEREST

0:530:54#20
IN THAT TV DANCE COMPETITION.

IN THAT TV DANCE COMPETITION.

0:540:56#21
- BYE, ASTRONAUT MIKE DEXTER.

- BYE, ASTRONAUT MIKE DEXTER.

0:560:59#22
[Sighs]

[Sighs]

1:011:02#23
- LIZ! SNAP OUT OF IT!

- LIZ! SNAP OUT OF IT!

1:021:04#24
JENNA'S LOCKED HERSELF IN HER DRESSING ROOM!

JENNA'S LOCKED HERSELF IN HER DRESSING ROOM!

1:041:06#25
- WHAT? NO, GO AWAY. THIS IS MY FANTASY, PETE!

- WHAT? NO, GO AWAY. THIS IS MY FANTASY, PETE!

1:061:08#26
- I KNEW IT. YOU'RE BLONDE IN YOUR FANTASIES.

- I KNEW IT. YOU'RE BLONDE IN YOUR FANTASIES.

1:081:10#27
IT LOOKS TERRIBLE.

IT LOOKS TERRIBLE.

1:101:12#28
- OH!

- OH!

1:121:13#29
[Groaning]

[Groaning]

1:131:15#30
JENNA, WHAT'S WRONG?

JENNA, WHAT'S WRONG?

1:171:19#31
- MY NIECE DREW A PICTURE OF ME, AND I LOOK SO FAT!

- MY NIECE DREW A PICTURE OF ME, AND I LOOK SO FAT!

1:191:22#32
- WELL, I REALLY LIKE YOUR HAIR TODAY.

- WELL, I REALLY LIKE YOUR HAIR TODAY.

1:221:24#33
- THANK YOU! BUT YOU DON'T KNOW WHAT IT LOOKS LIKE,

- THANK YOU! BUT YOU DON'T KNOW WHAT IT LOOKS LIKE,

1:251:27#34
BECAUSE OF THE DOOR!

BECAUSE OF THE DOOR!

1:271:28#35
- WOW, SHE FINALLY FIGURED THAT OUT.

- WOW, SHE FINALLY FIGURED THAT OUT.

1:281:30#36
- OKAY, JENNA, YOU WIN.

- OKAY, JENNA, YOU WIN.

1:301:32#37
IF YOU'RE REALLY NOT FEELING UP TO DOING THE SHOW THIS WEEK,

IF YOU'RE REALLY NOT FEELING UP TO DOING THE SHOW THIS WEEK,

1:321:34#38
I KNOW THAT JENNY McCARTHY IS IN TOWN.

I KNOW THAT JENNY McCARTHY IS IN TOWN.

1:341:37#39
- MY NEMESIS? NEVER!

- MY NEMESIS? NEVER!

1:371:39#40
OH, MY GOD.

OH, MY GOD.

1:391:40#41
I BET SHE PUT CHARLOTTE UP TO THIS.

I BET SHE PUT CHARLOTTE UP TO THIS.

1:401:43#42
- LEMON, THAT IS WHY DEALBREAKERSIS GOING TO WORK,

- LEMON, THAT IS WHY DEALBREAKERSIS GOING TO WORK,

1:431:46#43
BECAUSE YOUR STAR IS A CRAZY PERSON,

BECAUSE YOUR STAR IS A CRAZY PERSON,

1:461:48#44
AND MY STAR IS YOU.

AND MY STAR IS YOU.

1:481:49#45
- AND I AM NOT CRAZY,

- AND I AM NOT CRAZY,

1:491:50#46
BECAUSE UNLIKE JENNA,

BECAUSE UNLIKE JENNA,

1:501:52#47
MY MOTHER NEVER USED MY BEAUTY PAGEANT WINNINGS

MY MOTHER NEVER USED MY BEAUTY PAGEANT WINNINGS

1:521:53#48
TO BUY HER MARRIED BOYFRIEND A MOTORCYCLE.

TO BUY HER MARRIED BOYFRIEND A MOTORCYCLE.

1:531:55#49
- EXACTLY.

- EXACTLY.

1:561:56#50
- BOY, IF THIS THING WORKS,

- BOY, IF THIS THING WORKS,

1:571:58#51
IT COULD BE MY TICKET OUT.

IT COULD BE MY TICKET OUT.

1:581:59#52
THIS JOB IS STARTING TO GET TO ME.

THIS JOB IS STARTING TO GET TO ME.

1:592:00#53
LATELY, I'VE BEEN SHOPLIFTING

LATELY, I'VE BEEN SHOPLIFTING

2:002:02#54
JUST TO FEEL IN CONTROL.

JUST TO FEEL IN CONTROL.

2:022:04#55
'CAUSE NO ONE KNOWS I TOOK THE CANDY BAR.

'CAUSE NO ONE KNOWS I TOOK THE CANDY BAR.

2:042:07#56
NO ONE BUT PETER.

NO ONE BUT PETER.

2:072:09#57
- [sighs]

- [sighs]

2:092:10#58
- LIZ LEMON, I NEED TO TALK TO YOU.

- LIZ LEMON, I NEED TO TALK TO YOU.

2:122:14#59
- WHAT'S UP, TRAY?

- WHAT'S UP, TRAY?

2:142:15#60
- COME OVER HERE AND CHECK OUT MY CORNER.

- COME OVER HERE AND CHECK OUT MY CORNER.

2:152:17#61
NO TRAP. - WHAT?

NO TRAP. - WHAT?

2:172:19#62
- COME OVER HERE, I SAID...

- COME OVER HERE, I SAID...

2:192:20#63
IN MY NORMAL TONE OF VOICE.

IN MY NORMAL TONE OF VOICE.

2:202:22#64
LIZ LEMON, RECENTLY I REALIZED

LIZ LEMON, RECENTLY I REALIZED

2:232:26#65
THAT I HAVE A HOLE IN MY HEART,

THAT I HAVE A HOLE IN MY HEART,

2:262:27#66
AND NOT THE ONE I GOT FROM EATING BATTERIES.

AND NOT THE ONE I GOT FROM EATING BATTERIES.

2:272:29#67
IT'S 'CAUSE I DON'T HAVE A DAUGHTER.

IT'S 'CAUSE I DON'T HAVE A DAUGHTER.

2:292:31#68
- WELL, THAT'S ACTUALLY SWEET.

- WELL, THAT'S ACTUALLY SWEET.

2:312:32#69
- I WANT A BABY GIRL, LIZ LEMON.

- I WANT A BABY GIRL, LIZ LEMON.

2:322:35#70
I MEAN, HAVIN' A DAUGHTER'S

I MEAN, HAVIN' A DAUGHTER'S

2:352:36#71
LIKE GOIN' TO THE NBA ALL-STAR WEEKEND.

LIKE GOIN' TO THE NBA ALL-STAR WEEKEND.

2:362:38#72
IT CHANGES YOU.

IT CHANGES YOU.

2:382:40#73
MAKES YOU WANT TO TAKE YOUR WIFE TO THE DOCTOR.

MAKES YOU WANT TO TAKE YOUR WIFE TO THE DOCTOR.

2:402:42#74
- WELL, I THINK THAT'S GREAT, TRAY.

- WELL, I THINK THAT'S GREAT, TRAY.

2:422:43#75
- I'M GLAD YOU FEEL THAT WAY,

- I'M GLAD YOU FEEL THAT WAY,

2:432:45#76
BECAUSE ANGIE'S ON HER WAY UP,

BECAUSE ANGIE'S ON HER WAY UP,

2:452:47#77
AND I WANT YOU TO TELL HER FOR ME.

AND I WANT YOU TO TELL HER FOR ME.

2:472:48#78
- OH, NO. I'M NOT DOIN' THAT.

- OH, NO. I'M NOT DOIN' THAT.

2:482:50#79
- OH, YES, YOU ARE. CLICK.

- OH, YES, YOU ARE. CLICK.

2:502:52#80
I SAID "CLICK" TO DISTRACT YOU

I SAID "CLICK" TO DISTRACT YOU

2:522:53#81
FROM THE SOUND OF THE HANDCUFFS.

FROM THE SOUND OF THE HANDCUFFS.

2:532:55#82
- WHAT?

- WHAT?

2:552:56#83
- UH-UH!

- UH-UH!

2:582:59#84
WHY ARE YOU HANDCUFFED TO THE BOOKSHELF

WHY ARE YOU HANDCUFFED TO THE BOOKSHELF

2:593:01#85
I BUILT FOR MY HUSBAND?

I BUILT FOR MY HUSBAND?

3:013:03#86
- TRACY DID THIS TO MAKE ME TELL YOU

- TRACY DID THIS TO MAKE ME TELL YOU

3:033:04#87
THAT HE WANTS TO HAVE A BABY GIRL.

THAT HE WANTS TO HAVE A BABY GIRL.

3:043:05#88
- YOU DID GOOD.

- YOU DID GOOD.

3:053:07#89
- REALLY? HAVE YOU LOST YOUR MIND?

- REALLY? HAVE YOU LOST YOUR MIND?

3:073:09#90
I'M NOT GONNA RAISE ANOTHER CHILD BY MYSELF.

I'M NOT GONNA RAISE ANOTHER CHILD BY MYSELF.

3:093:11#91
- WHAT ARE YOU IMPLYING?

- WHAT ARE YOU IMPLYING?

3:113:12#92
I'M A VERY ATTENTIVE FATHER.

I'M A VERY ATTENTIVE FATHER.

3:123:14#93
- OH, PLEASE, TRACY.

- OH, PLEASE, TRACY.

3:143:15#94
WHERE WERE YOU LAST WEEK

WHERE WERE YOU LAST WEEK

3:163:17#95
DURING TRACY, JR.'S BIRTHDAY PARTY?

DURING TRACY, JR.'S BIRTHDAY PARTY?

3:173:18#96
- THERE WAS A BETTER KID'S BIRTHDAY PARTY UP THE STREET!

- THERE WAS A BETTER KID'S BIRTHDAY PARTY UP THE STREET!

3:183:21#97
- I CANNOT BELIEVE YOU MADE ME COME HERE FOR THIS.

- I CANNOT BELIEVE YOU MADE ME COME HERE FOR THIS.

3:213:23#98
NOW I WON'T HAVE ENOUGH TIME TO SHOP FOR CHRISTMAS PRESENTS

NOW I WON'T HAVE ENOUGH TIME TO SHOP FOR CHRISTMAS PRESENTS

3:233:26#99
AND STILL GET MY HAIR DID.

AND STILL GET MY HAIR DID.

3:263:27#100
- YOUR HAIR DID?

- YOUR HAIR DID?

3:273:28#101
YOU JUST GOT YOUR HAIR DID!

YOU JUST GOT YOUR HAIR DID!

3:283:30#102
YOU HAVE TO GET YOUR HAIR DID AGAIN?

YOU HAVE TO GET YOUR HAIR DID AGAIN?

3:303:31#103
- IT NEEDS TO BE DID EVERY WEEK!

- IT NEEDS TO BE DID EVERY WEEK!

3:323:33#104
- MAYBE WE COULD UN-DID THESE HANDCUFFS.

- MAYBE WE COULD UN-DID THESE HANDCUFFS.

3:333:35#105
- OH, CRACKER! - RACIST!

- OH, CRACKER! - RACIST!

3:353:37#106
- YOU KNOW WHAT? KEEP YOUR HAIR APPOINTMENT.

- YOU KNOW WHAT? KEEP YOUR HAIR APPOINTMENT.

3:373:39#107
I'LL DO THE CHRISTMAS SHOPPING THIS YEAR

I'LL DO THE CHRISTMAS SHOPPING THIS YEAR

3:393:41#108
TO PROVE TO YOU I CAN BE RELIABLE

TO PROVE TO YOU I CAN BE RELIABLE

3:413:43#109
AND THAT I CAN FINISH EVERYTHING THAT I--

AND THAT I CAN FINISH EVERYTHING THAT I--

3:433:46#110
- NO. COME BACK!

- NO. COME BACK!

3:513:54#111
AH!

AH!

3:543:55#112
[Exciting jazz music]

[Exciting jazz music]

3:563:58#113
♪

3:594:07#114
- LISTEN UP, DUMMIES,

- LISTEN UP, DUMMIES,

4:154:16#115
I'M GONNA BE GONE THIS WEEK DOING MY TALK SHOW,

I'M GONNA BE GONE THIS WEEK DOING MY TALK SHOW,

4:174:19#116
SO I NEED TO LEAVE SOMEONE RESPONSIBLE IN CHARGE.

SO I NEED TO LEAVE SOMEONE RESPONSIBLE IN CHARGE.

4:194:21#117
NOW, IT'S NOT ABOUT WHO I LIKE THE MOST

NOW, IT'S NOT ABOUT WHO I LIKE THE MOST

4:214:23#118
OR WHO'S THE FUNNIEST, SO IT'S TOOFER.

OR WHO'S THE FUNNIEST, SO IT'S TOOFER.

4:234:25#119
- OH, THANK YOU.

- OH, THANK YOU.

4:254:27#120
AS TENNYSON WROTE, "I METE AND DOLE UNEQUAL--"

AS TENNYSON WROTE, "I METE AND DOLE UNEQUAL--"

4:274:29#121
- NO, NEVER MIND.

- NO, NEVER MIND.

4:294:30#122
LUTZ, YOU WANT IT?

LUTZ, YOU WANT IT?

4:304:32#123
- MM-HMM.

- MM-HMM.

4:324:35#124
OH, OKAY.

OH, OKAY.

4:354:37#125
TOO MUCH PRESSURE.

TOO MUCH PRESSURE.

4:374:38#126
WRITERS WHO NEVER TALK,

WRITERS WHO NEVER TALK,

4:384:40#127
ANYONE WANT A PROMOTION?

ANYONE WANT A PROMOTION?

4:404:42#128
GREAT! FRANK, CONGRATULATIONS.

GREAT! FRANK, CONGRATULATIONS.

4:424:43#129
YOU ARE THE NEW BOSS.

YOU ARE THE NEW BOSS.

4:434:45#130
- AWESOME.

- AWESOME.

4:454:46#131
A COOL PERSON IN CHARGE FOR ONCE.

A COOL PERSON IN CHARGE FOR ONCE.

4:464:47#132
MY FIRST ACT AS LEADER,

MY FIRST ACT AS LEADER,

4:474:49#133
I'M TELLING THEM TO TAKE DOWN THE INTERNET FIREWALL.

I'M TELLING THEM TO TAKE DOWN THE INTERNET FIREWALL.

4:494:52#134
WE CAN SURF PORN AGAIN.

WE CAN SURF PORN AGAIN.

4:524:53#135
[Writers chuckling] - WONDERFUL, PORN!

[Writers chuckling] - WONDERFUL, PORN!

4:534:54#136
- I LIKE PORN.

- I LIKE PORN.

4:554:56#137
- SIR? A MR. ADOUCHE IS ON THE PHONE.

- SIR? A MR. ADOUCHE IS ON THE PHONE.

4:575:00#138
I. M. ADOUCHE?

I. M. ADOUCHE?

5:005:02#139
- I. M. ADOUCHE?

- I. M. ADOUCHE?

5:025:04#140
BANKS!

BANKS!

5:065:07#141
WHAT DO YOU WANT?

WHAT DO YOU WANT?

5:085:10#142
- DID YOU SAY IT? - NO, I KNEW RIGHT AWAY.

- DID YOU SAY IT? - NO, I KNEW RIGHT AWAY.

5:105:11#143
- AW, SURE, YOU DID.

- AW, SURE, YOU DID.

5:115:13#144
WELL, D.C.'S GREAT.

WELL, D.C.'S GREAT.

5:135:15#145
SO MANY MEN IN UNIFORM DOWN HERE.

SO MANY MEN IN UNIFORM DOWN HERE.

5:155:17#146
- IF YOU'RE CALLING TO CHECK IN ON YOUR BAILOUT MONEY,

- IF YOU'RE CALLING TO CHECK IN ON YOUR BAILOUT MONEY,

5:175:19#147
JUST READ THE BUDGETS WE SENT.

JUST READ THE BUDGETS WE SENT.

5:195:21#148
WE'RE GETTING MORE EFFICIENT EVERY DAY.

WE'RE GETTING MORE EFFICIENT EVERY DAY.

5:215:22#149
OUR HEALTH CARE COSTS ARE WAY DOWN

OUR HEALTH CARE COSTS ARE WAY DOWN

5:225:23#150
SINCE WE STARTED PUTTING SOMETHING IN THE COFFEE

SINCE WE STARTED PUTTING SOMETHING IN THE COFFEE

5:245:25#151
TO KEEP WOMEN FROM GETTING PREGNANT.

TO KEEP WOMEN FROM GETTING PREGNANT.

5:255:27#152
- IT'S FUNNY, I HAVE BEEN READING THE BUDGETS,

- IT'S FUNNY, I HAVE BEEN READING THE BUDGETS,

5:275:29#153
AND I COULDN'T HELP BUT NOTICE

AND I COULDN'T HELP BUT NOTICE

5:295:30#154
THAT YOU'RE DOING A TALK SHOW

THAT YOU'RE DOING A TALK SHOW

5:305:32#155
WITH YOUR FOUR-EYED LITTLE FRIEND.

WITH YOUR FOUR-EYED LITTLE FRIEND.

5:325:33#156
- THAT IS A BUSINESS DECISION.

- THAT IS A BUSINESS DECISION.

5:335:34#157
SHE WROTE A VERY POPULAR BOOK.

SHE WROTE A VERY POPULAR BOOK.

5:345:36#158
- IT DOESN'T MATTER.

- IT DOESN'T MATTER.

5:365:37#159
DO YOU KNOW HOW BAD THAT COULD LOOK?

DO YOU KNOW HOW BAD THAT COULD LOOK?

5:375:38#160
WORSE THAN ME IN CAPRI PANTS...

WORSE THAN ME IN CAPRI PANTS...

5:385:40#161
WHICH YOU'D THINK I'D BE ABLE TO PULL OFF 'CAUSE I'M TALL.

WHICH YOU'D THINK I'D BE ABLE TO PULL OFF 'CAUSE I'M TALL.

5:405:42#162
- WHAT ARE YOU SAYING, BANKS?

- WHAT ARE YOU SAYING, BANKS?

5:425:43#163
- IF THIS LIZ LEMON PROJECT LOSES ONE PENNY,

- IF THIS LIZ LEMON PROJECT LOSES ONE PENNY,

5:435:46#164
I AM GONNA PUBLICLY FLOG YOU LIKE...

I AM GONNA PUBLICLY FLOG YOU LIKE...

5:465:48#165
WELL, LIKE ME AT THE PROVINCETOWN FLOGGING FESTIVAL.

WELL, LIKE ME AT THE PROVINCETOWN FLOGGING FESTIVAL.

5:485:50#166
IN OTHER WORDS, IT HAD BETTER WORK.

IN OTHER WORDS, IT HAD BETTER WORK.

5:505:53#167
BUT DON'T WORRY.

BUT DON'T WORRY.

5:535:55#168
SHE'S JUST A WRITER WITH ZERO PERFORMING EXPERIENCE.

SHE'S JUST A WRITER WITH ZERO PERFORMING EXPERIENCE.

5:555:57#169
- IT'LL WORK.

- IT'LL WORK.

5:575:58#170
I'LL MAKE IT WORK.

I'LL MAKE IT WORK.

5:586:00#171
MORON SAYS WHAT? - WHAT?

MORON SAYS WHAT? - WHAT?

6:006:02#172
- [laughing]

- [laughing]

6:026:04#173
- WHAT DOES HE SAY?

- WHAT DOES HE SAY?

6:046:05#174
WHAT?

WHAT?

6:056:06#175
- I NEED A SPECIAL GIFT FOR MY WIFE,

- I NEED A SPECIAL GIFT FOR MY WIFE,

6:066:09#176
SOMETHING THAT SAYS I'M RESPONSIBLE.

SOMETHING THAT SAYS I'M RESPONSIBLE.

6:096:11#177
SOMETHING SIMPLE, CLASSY.

SOMETHING SIMPLE, CLASSY.

6:116:12#178
- I GET IT--ELEGANCE.

- I GET IT--ELEGANCE.

6:126:14#179
THAT'S WHY PEOPLE COME TO YAKOV'S NUBIAN BLING EXPLOSION.

THAT'S WHY PEOPLE COME TO YAKOV'S NUBIAN BLING EXPLOSION.

6:146:17#180
- YEAH, IT'S PERFECT.

- YEAH, IT'S PERFECT.

6:176:19#181
WHAT'S THAT? I WANT IT!

WHAT'S THAT? I WANT IT!

6:196:21#182
I FORGOT WHY I ORIGINALLY CAME IN HERE!

I FORGOT WHY I ORIGINALLY CAME IN HERE!

6:216:23#183
- OH, THAT BELONGED TO PHILIP MICHAEL THOMAS,

- OH, THAT BELONGED TO PHILIP MICHAEL THOMAS,

6:236:25#184
THE ACTOR WHO PLAYED TUBBS ON MIAMI VICE.

THE ACTOR WHO PLAYED TUBBS ON MIAMI VICE.

6:256:27#185
- SURE. I KNOW HIM

- SURE. I KNOW HIM

6:276:29#186
FROM THE SECRET BLACK PEOPLE MEETINGS.

FROM THE SECRET BLACK PEOPLE MEETINGS.

6:296:32#187
NAH, I'M JUST KIDDIN'. HE'S NOT INVITED.

NAH, I'M JUST KIDDIN'. HE'S NOT INVITED.

6:326:34#188
BUT WHO'S "EGOT"?

BUT WHO'S "EGOT"?

6:346:35#189
- "EGOT" IS NOT A PERSON, T. J.

- "EGOT" IS NOT A PERSON, T. J.

6:356:37#190
IT'S A GOAL.

IT'S A GOAL.

6:376:38#191
IT STANDS FOR EMMY, GRAMMY, OSCAR, AND TONY,

IT STANDS FOR EMMY, GRAMMY, OSCAR, AND TONY,

6:386:41#192
FOUR AWARDS THAT THOMAS PLANNED ON WINNING

FOUR AWARDS THAT THOMAS PLANNED ON WINNING

6:416:43#193
IN HIS CAREER.

IN HIS CAREER.

6:436:44#194
- THAT'S A GOOD GOAL

- THAT'S A GOOD GOAL

6:446:46#195
FOR A TALENTED CRAZY PERSON.

FOR A TALENTED CRAZY PERSON.

6:466:48#196
- ANYWAY, YOU WANTED SOMETHING SPECIAL FOR YOUR WIFE.

- ANYWAY, YOU WANTED SOMETHING SPECIAL FOR YOUR WIFE.

6:486:50#197
- NAH, THAT WAS EARLIER. I WANT THIS.

- NAH, THAT WAS EARLIER. I WANT THIS.

6:506:52#198
- SO HOW YOU FEELIN'? FEELIN' GOOD? READY TO GO?

- SO HOW YOU FEELIN'? FEELIN' GOOD? READY TO GO?

6:526:54#199
- WITH DEALBREAKERS? YEAH.

- WITH DEALBREAKERS? YEAH.

6:546:55#200
THE SET LOOKS GREAT, I'M READY.

THE SET LOOKS GREAT, I'M READY.

6:556:57#201
WE JUST NEED AN AUDIENCE.

WE JUST NEED AN AUDIENCE.

6:576:58#202
- I JUST WANT TO MAKE SURE WE'RE NOT FORGETTING ANYTHING,

- I JUST WANT TO MAKE SURE WE'RE NOT FORGETTING ANYTHING,

6:587:00#203
BECAUSE THIS HAS TO WORK.

BECAUSE THIS HAS TO WORK.

7:007:01#204
- HAS TO WORK? IT'S GONNA WORK, RIGHT?

- HAS TO WORK? IT'S GONNA WORK, RIGHT?

7:017:03#205
- YES, BECAUSE IT HAS TO.

- YES, BECAUSE IT HAS TO.

7:037:05#206
AND BECAUSE WE'VE THOUGHT OF EVERYTHING.

AND BECAUSE WE'VE THOUGHT OF EVERYTHING.

7:057:08#207
WHAT IF YOU DIDN'T WEAR YOUR GLASSES?

WHAT IF YOU DIDN'T WEAR YOUR GLASSES?

7:087:10#208
- WHAT? YOU THINK IT'S NOT A GOOD LOOK?

- WHAT? YOU THINK IT'S NOT A GOOD LOOK?

7:107:12#209
- WELL, I DON'T KNOW. ARE YOU MARRIED?

- WELL, I DON'T KNOW. ARE YOU MARRIED?

7:127:14#210
I'M JUST SAYING.

I'M JUST SAYING.

7:147:15#211
- WELL, I CAN LOSE THE GLASSES.

- WELL, I CAN LOSE THE GLASSES.

7:157:16#212
I JUST MIGHT NOT BE ABLE TO READ THE TELEPROMPTER,

I JUST MIGHT NOT BE ABLE TO READ THE TELEPROMPTER,

7:177:18#213
AND I CAN'T WEAR CONTACTS

AND I CAN'T WEAR CONTACTS

7:187:20#214
'CAUSE THE DOCTOR SAYS MY EYEBALLS ARE TOO POINTY.

'CAUSE THE DOCTOR SAYS MY EYEBALLS ARE TOO POINTY.

7:207:22#215
- WHAT ABOUT LASIK? THE SHOW'LL PAY FOR IT.

- WHAT ABOUT LASIK? THE SHOW'LL PAY FOR IT.

7:227:24#216
- OKAY, IF YOU THINK IT'S A GOOD IDEA.

- OKAY, IF YOU THINK IT'S A GOOD IDEA.

7:247:26#217
- GREAT. NOW WE'RE PERFECT.

- GREAT. NOW WE'RE PERFECT.

7:267:28#218
WHAT IF WE CHANGE YOUR NAME TO VERONICA ST. PIERRE?

WHAT IF WE CHANGE YOUR NAME TO VERONICA ST. PIERRE?

7:287:30#219
NO, THAT'S TOO MUCH.

NO, THAT'S TOO MUCH.

7:307:32#220
YOUR HAIR...

YOUR HAIR...

7:327:34#221
IS FINE.

IS FINE.

7:347:36#222
- MARCO! Both: POLO!

- MARCO! Both: POLO!

7:437:44#223
- HA!

- HA!

7:447:45#224
MARCO!

MARCO!

7:457:46#225
- TRACY, PUT THAT SWORD DOWN

- TRACY, PUT THAT SWORD DOWN

7:467:48#226
AND HELP ME TAKE THESE GIFTS TO THE CAR.

AND HELP ME TAKE THESE GIFTS TO THE CAR.

7:487:50#227
- NO NEED. I GOT SOMETHING BETTER THAN PRESENTS

- NO NEED. I GOT SOMETHING BETTER THAN PRESENTS

7:507:52#228
FOR YOU AND THE KIDS.

FOR YOU AND THE KIDS.

7:527:54#229
I GOT US ALL THIS "EGOT" NECKLACE FOR ME.

I GOT US ALL THIS "EGOT" NECKLACE FOR ME.

7:547:56#230
- THAT'S EXACTLY WHAT I WAS TALKIN' ABOUT.

- THAT'S EXACTLY WHAT I WAS TALKIN' ABOUT.

7:567:58#231
I SEND YOU OUT FOR GIFTS,

I SEND YOU OUT FOR GIFTS,

7:588:00#232
AND YOU GO AND BUY THAT DUMB NECKLACE FOR YOURSELF.

AND YOU GO AND BUY THAT DUMB NECKLACE FOR YOURSELF.

8:008:02#233
- IT'S NOT DUMB. IT'S SMART.

- IT'S NOT DUMB. IT'S SMART.

8:028:04#234
THIS NECKLACE IS A LIFE GOAL.

THIS NECKLACE IS A LIFE GOAL.

8:048:06#235
I'M GONNA WIN ME A EMMY, A GRAMMY, A OSCAR, AND A TONY.

I'M GONNA WIN ME A EMMY, A GRAMMY, A OSCAR, AND A TONY.

8:068:10#236
- WHAT?

- WHAT?

8:108:11#237
TRACY, YOU'VE NEVER FINISHED

TRACY, YOU'VE NEVER FINISHED

8:118:12#238
A DAMN THING IN YOUR LIFE.

A DAMN THING IN YOUR LIFE.

8:128:14#239
- I AM GONNA "EGOT,"

- I AM GONNA "EGOT,"

8:148:15#240
FOR US, FOR THE FAMILY,

FOR US, FOR THE FAMILY,

8:158:17#241
AND ESPECIALLY FOR LITTLE CHEWBAQUINA JORDAN.

AND ESPECIALLY FOR LITTLE CHEWBAQUINA JORDAN.

8:178:20#242
- [sighs]

- [sighs]

8:208:21#243
OKAY, TRAY.

OKAY, TRAY.

8:218:23#244
YOU GO OUT AND WIN EVERY ONE OF THOSE AWARDS

YOU GO OUT AND WIN EVERY ONE OF THOSE AWARDS

8:238:25#245
AND PROVE HOW RESPONSIBLE YOU ARE,

AND PROVE HOW RESPONSIBLE YOU ARE,

8:258:27#246
AND I'LL GIVE YOU A DAUGHTER.

AND I'LL GIVE YOU A DAUGHTER.

8:278:28#247
BUT UNTIL THEN,

BUT UNTIL THEN,

8:288:30#248
I DON'T WANT TO HEAR ANOTHER WORD

I DON'T WANT TO HEAR ANOTHER WORD

8:308:31#249
ABOUT YOUR BABY GIRL.

ABOUT YOUR BABY GIRL.

8:318:32#250
- GREAT. I'LL BE IN TOUCH.

- GREAT. I'LL BE IN TOUCH.

8:328:34#251
YOU STILL USING YOUR HOTMAIL ACCOUNT?

YOU STILL USING YOUR HOTMAIL ACCOUNT?

8:348:36#252
- MM.

- MM.

8:368:37#253
- ONE MORE... [Imitates laser whizzing]

- ONE MORE... [Imitates laser whizzing]

8:398:42#254
AND DONE-ZIES.

AND DONE-ZIES.

8:428:44#255
- DID IT WORK?

- DID IT WORK?

8:448:45#256
- OH, I'M SURE IT DID.

- OH, I'M SURE IT DID.

8:458:46#257
THIS MACHINE IS A GENUINE..."LASIG"?

THIS MACHINE IS A GENUINE..."LASIG"?

8:468:50#258
HMM, CURIOUS.

HMM, CURIOUS.

8:508:52#259
HERE.

HERE.

8:528:54#260
CAN YOU READ THE TOP LINE OVER THERE?

CAN YOU READ THE TOP LINE OVER THERE?

8:548:56#261
- "DEAR, DR. SPACEMAN,

- "DEAR, DR. SPACEMAN,

8:568:58#262
"THANK YOU FOR YOUR SUBMISSION.

"THANK YOU FOR YOUR SUBMISSION.

8:589:00#263
"THE NEW ENGLAND JOURNAL OF MEDICINE

"THE NEW ENGLAND JOURNAL OF MEDICINE

9:009:02#264
DOES NOT PUBLISH X-RATED CARTOONS."

DOES NOT PUBLISH X-RATED CARTOONS."

9:029:05#265
- WELL, WHY NOT?

- WELL, WHY NOT?

9:059:06#266
[Sighs] IT'S SO FRUSTRATING.

[Sighs] IT'S SO FRUSTRATING.

9:069:09#267
BUT AT LEAST I HEARD IT FROM A FRIEND.

BUT AT LEAST I HEARD IT FROM A FRIEND.

9:099:11#268
SO WHILE WE'RE HERE,

SO WHILE WE'RE HERE,

9:119:13#269
WHAT ELSE DO YOU WANT TO DO?

WHAT ELSE DO YOU WANT TO DO?

9:139:14#270
FACE BURN?

FACE BURN?

9:149:15#271
BONE MORPH?

BONE MORPH?

9:159:16#272
MOUTH PEEL?

MOUTH PEEL?

9:169:17#273
- NO, THANK YOU. I CAN'T.

- NO, THANK YOU. I CAN'T.

9:179:19#274
I'M GONNA BE ON TV THIS WEEK.

I'M GONNA BE ON TV THIS WEEK.

9:199:20#275
- REALLY? I THINK YOU MEAN RADIO.

- REALLY? I THINK YOU MEAN RADIO.

9:219:23#276
- NO, I DON'T.

- NO, I DON'T.

9:239:24#277
WHAT IS--WHAT--

WHAT IS--WHAT--

9:249:25#278
WHY DO PEOPLE KEEP SAYING STUFF LIKE THAT?

WHY DO PEOPLE KEEP SAYING STUFF LIKE THAT?

9:259:27#279
- YOU SEEM NERVOUS.

- YOU SEEM NERVOUS.

9:279:28#280
I COULD GIVE YOU SOMETHING FOR THAT.

I COULD GIVE YOU SOMETHING FOR THAT.

9:289:29#281
BUT YOU KNOW WHAT?

BUT YOU KNOW WHAT?

9:299:31#282
I'M NOT SUPPOSED TO HAVE SEX WITH MY PATIENTS.

I'M NOT SUPPOSED TO HAVE SEX WITH MY PATIENTS.

9:319:34#283
[Sighs]

[Sighs]

9:349:35#284
YOUR HAIR IS...

YOUR HAIR IS...

9:359:37#285
FINE.

FINE.

9:379:38#286
- HEY, WE'RE ALL GOING TO CHUCK E. CHEESE'S.

- HEY, WE'RE ALL GOING TO CHUCK E. CHEESE'S.

9:459:46#287
IT'S DIVORCED HISPANIC MOM NIGHT.

IT'S DIVORCED HISPANIC MOM NIGHT.

9:469:48#288
- I CAN'T.

- I CAN'T.

9:489:49#289
I'VE GOTTA PROOF ALL THESE SKETCHES,

I'VE GOTTA PROOF ALL THESE SKETCHES,

9:499:51#290
FIGURE OUT THE RUNDOWN, THEN MEET WITH PROPS IN...

FIGURE OUT THE RUNDOWN, THEN MEET WITH PROPS IN...

9:519:53#291
TEN MINUTES!

TEN MINUTES!

9:539:54#292
- OKAY.

- OKAY.

9:549:55#293
HAVE A GOOD NIGHT, LIZ.

HAVE A GOOD NIGHT, LIZ.

9:559:56#294
- VERY FUNNY.

- VERY FUNNY.

9:569:58#295
I'M NOT LIZ!

I'M NOT LIZ!

9:589:59#296
OOH, HAM.

OOH, HAM.

10:0110:04#297
MMM!

MMM!

10:0410:05#298
THAT'S GOOD.

THAT'S GOOD.

10:0510:06#299
- I'D FIRST LIKE TO THANK MY CREATIVE TEAM

- I'D FIRST LIKE TO THANK MY CREATIVE TEAM

10:0810:10#300
FOR COMING HERE ON SUCH SHORT NOTICE,

FOR COMING HERE ON SUCH SHORT NOTICE,

10:1010:12#301
AND I'M SORRY I'M FOUR HOURS LATE.

AND I'M SORRY I'M FOUR HOURS LATE.

10:1210:14#302
DOTCOM, RESEARCH UPDATE.

DOTCOM, RESEARCH UPDATE.

10:1410:16#303
- I GOOGLED A COMPLETE LIST OF ALL PAST "EGOT" WINNERS.

- I GOOGLED A COMPLETE LIST OF ALL PAST "EGOT" WINNERS.

10:1610:19#304
LISTEN TO THIS.

LISTEN TO THIS.

10:1910:20#305
"COMPOSER RICHARD RODGERS,

"COMPOSER RICHARD RODGERS,

10:2010:22#306
"COMPOSER JONATHAN TUNICK,

"COMPOSER JONATHAN TUNICK,

10:2210:24#307
COMPOSER MARVIN HAMLISCH."

COMPOSER MARVIN HAMLISCH."

10:2410:25#308
- THAT'S GOOD RAW DATA.

- THAT'S GOOD RAW DATA.

10:2610:27#309
NOW TURN IT OVER TO GRIZZ FOR ANALYSIS.

NOW TURN IT OVER TO GRIZZ FOR ANALYSIS.

10:2710:29#310
- THEY'RE ALL COMPOSERS.

- THEY'RE ALL COMPOSERS.

10:3110:33#311
- KENNETH, SYNTHESIZE GRIZZ'S ANALYSIS.

- KENNETH, SYNTHESIZE GRIZZ'S ANALYSIS.

10:3310:35#312
- MR. JORDAN, YOU NEED TO WRITE ONE GREAT SONG,

- MR. JORDAN, YOU NEED TO WRITE ONE GREAT SONG,

10:3610:39#313
A SONG WHOSE SUCCESS WILL GET IT FEATURED ON A TV SHOW,

A SONG WHOSE SUCCESS WILL GET IT FEATURED ON A TV SHOW,

10:3910:42#314
AND THEN A MOVIE BASED ON THAT TV SHOW.

AND THEN A MOVIE BASED ON THAT TV SHOW.

10:4210:44#315
- AND THEN A BROADWAY PLAY BASED ON THAT MOVIE.

- AND THEN A BROADWAY PLAY BASED ON THAT MOVIE.

10:4510:47#316
THIS IS HOW I'M GONNA GET MY BABY GIRL!

THIS IS HOW I'M GONNA GET MY BABY GIRL!

10:4710:49#317
ALL I HAVE TO DO IS CREATE

ALL I HAVE TO DO IS CREATE

10:5010:51#318
THE MOST POPULAR SONG OF ALL TIME.

THE MOST POPULAR SONG OF ALL TIME.

10:5110:54#319
♪ I'VE STARTED ALREADY

♪ I'VE STARTED ALREADY

10:5510:57#320
- THAT'S GREAT, TRAY.

- THAT'S GREAT, TRAY.

10:5810:59#321
- IT'S ALL HAPPENING!

- IT'S ALL HAPPENING!

11:0111:03#322
HI.

HI.

11:0411:05#323
- YOU GOT A HAIRCUT.

- YOU GOT A HAIRCUT.

11:0511:06#324
- OH, ACTUALLY, I GOT THREE HAIRCUTS.

- OH, ACTUALLY, I GOT THREE HAIRCUTS.

11:0611:07#325
THE FIRST TWO MADE ME LOOK NUTS.

THE FIRST TWO MADE ME LOOK NUTS.

11:0711:10#326
HEY, DO I SAY THE WORD "CAMER-AH" WEIRD?

HEY, DO I SAY THE WORD "CAMER-AH" WEIRD?

11:1011:12#327
CAMER-AH.

CAMER-AH.

11:1211:13#328
CAMER-AH.

CAMER-AH.

11:1311:14#329
CAMER-AH.

CAMER-AH.

11:1511:16#330
- I NEED TO TALK TO YOU.

- I NEED TO TALK TO YOU.

11:1911:20#331
I HAVE AN ACTRESS PROBLEM.

I HAVE AN ACTRESS PROBLEM.

11:2111:23#332
- OKAY. DON'T TRY TO MOVE THE BODY YOURSELF.

- OKAY. DON'T TRY TO MOVE THE BODY YOURSELF.

11:2311:26#333
- NO.

- NO.

11:2611:27#334
IT'S LIZ.

IT'S LIZ.

11:2711:28#335
I NEED DEALBREAKERS TO WORK.

I NEED DEALBREAKERS TO WORK.

11:2811:30#336
AND YESTERDAY, I TOLD HER

AND YESTERDAY, I TOLD HER

11:3011:32#337
THAT SHE SHOULDN'T WEAR HER GLASSES.

THAT SHE SHOULDN'T WEAR HER GLASSES.

11:3211:33#338
- OH, NO!

- OH, NO!

11:3411:35#339
WHY DID YOU DO THAT?

WHY DID YOU DO THAT?

11:3511:37#340
JACK, YOU DON'T KNOW WHAT IT'S LIKE

JACK, YOU DON'T KNOW WHAT IT'S LIKE

11:3711:39#341
TO BE ON CAMER-AH.

TO BE ON CAMER-AH.

11:3911:39#342
YOU'RE VULNERABLE.

YOU'RE VULNERABLE.

11:4011:41#343
YOU'RE EXPOSED.

YOU'RE EXPOSED.

11:4111:43#344
IT DOESN'T TAKE A LOT TO SEND YOU OVER THE EDGE.

IT DOESN'T TAKE A LOT TO SEND YOU OVER THE EDGE.

11:4311:45#345
- THIS IS LEMON.

- THIS IS LEMON.

11:4511:46#346
- NOT ANYMORE. YOU'VE CREATED TWO LIZZES,

- NOT ANYMORE. YOU'VE CREATED TWO LIZZES,

11:4611:48#347
REGULAR LIZ AND PERFORMER LIZ.

REGULAR LIZ AND PERFORMER LIZ.

11:4811:50#348
YOU'VE GOT TO LIE TO HER,

YOU'VE GOT TO LIE TO HER,

11:5011:52#349
CODDLE HER, PROTECT HER FROM THE REAL WORLD.

CODDLE HER, PROTECT HER FROM THE REAL WORLD.

11:5211:55#350
- I GET IT.

- I GET IT.

11:5511:56#351
TREAT HER LIKE THE NEW YORK TIMES

TREAT HER LIKE THE NEW YORK TIMES

11:5611:57#352
TREATS ITS READERS.

TREATS ITS READERS.

11:5711:59#353
- GUYS, STANDARDS IS SAYING NO

- GUYS, STANDARDS IS SAYING NO

12:0012:02#354
TO THE RUBIK'S PUBE THING.

TO THE RUBIK'S PUBE THING.

12:0212:04#355
WHAT?

WHAT?

12:0512:06#356
- YOU LOOK EXACTLY LIKE LIZ.

- YOU LOOK EXACTLY LIKE LIZ.

12:0612:08#357
- WHAT? SHUT UP.

- WHAT? SHUT UP.

12:0812:09#358
YOU'VE JUST NEVER SEEN MY READING GLASSES BEFORE,

YOU'VE JUST NEVER SEEN MY READING GLASSES BEFORE,

12:0912:11#359
WHICH I HAVE TO WEAR TO READ YOUR DUMB SKETCHES.

WHICH I HAVE TO WEAR TO READ YOUR DUMB SKETCHES.

12:1112:13#360
AND I LOST MY HAT

AND I LOST MY HAT

12:1312:14#361
AFTER I THREW IT AT A BUS

AFTER I THREW IT AT A BUS

12:1412:16#362
THAT WOULDN'T STOP FOR ME,

THAT WOULDN'T STOP FOR ME,

12:1612:17#363
EVEN THOUGH THE GUY COULD SEE ME RUNNING.

EVEN THOUGH THE GUY COULD SEE ME RUNNING.

12:1712:18#364
- WHAT ABOUT THE PURSE AND SWEATER?

- WHAT ABOUT THE PURSE AND SWEATER?

12:1812:20#365
- THIS IS A BAG

- THIS IS A BAG

12:2012:22#366
FOR ALL THE SCRIPTS I NOW HAVE TO CARRY,

FOR ALL THE SCRIPTS I NOW HAVE TO CARRY,

12:2212:24#367
AND I'M WEARING A SWEATER

AND I'M WEARING A SWEATER

12:2412:25#368
'CAUSE THE STUDIO'S COLD.

'CAUSE THE STUDIO'S COLD.

12:2512:26#369
- [snickers]

- [snickers]

12:2612:27#370
- YOU KNOW WHAT? I DON'T HAVE TO EXPLAIN MYSELF.

- YOU KNOW WHAT? I DON'T HAVE TO EXPLAIN MYSELF.

12:2712:30#371
YOU DUMMIES HAVE NO IDEA

YOU DUMMIES HAVE NO IDEA

12:3012:31#372
WHAT IT'S LIKE TO BE IN CHARGE.

WHAT IT'S LIKE TO BE IN CHARGE.

12:3112:33#373
NOW, IF YOU'LL EXCUSE ME,

NOW, IF YOU'LL EXCUSE ME,

12:3312:34#374
I'LL BE IN MY OFFICE

I'LL BE IN MY OFFICE

12:3412:36#375
TRYING TO HAVE IT ALL!

TRYING TO HAVE IT ALL!

12:3612:38#376
WHAT IS HAPPENING TO ME?

WHAT IS HAPPENING TO ME?

12:4512:47#377
[Whimpers]

[Whimpers]

12:4712:48#378
- DEALBREAKERS MAIN TITLES,

- DEALBREAKERS MAIN TITLES,

12:4812:50#379
TAKE NUMBER 510.

TAKE NUMBER 510.

12:5012:52#380
- OKAY, HERE WE GO.

- OKAY, HERE WE GO.

12:5212:53#381
ONE MORE! THIS IS THE ONE!

ONE MORE! THIS IS THE ONE!

12:5312:54#382
AND ACTION!

AND ACTION!

12:5512:56#383
GREAT, AND SMILE.

GREAT, AND SMILE.

12:5612:59#384
WITH YOUR MOUTH.

WITH YOUR MOUTH.

13:0013:01#385
AND RAISE THE ROOF!

AND RAISE THE ROOF!

13:0213:04#386
YEAH, YOU LOOK-- BOY, YOU CAN DO IT!

YEAH, YOU LOOK-- BOY, YOU CAN DO IT!

13:0413:06#387
GOOD! OH, MY GOD.

GOOD! OH, MY GOD.

13:0613:08#388
BREAK IT DOWN, BREAK IT DOWN.

BREAK IT DOWN, BREAK IT DOWN.

13:0813:11#389
OH, YEAH, YEAH! SASSY. SASS IT UP.

OH, YEAH, YEAH! SASSY. SASS IT UP.

13:1113:14#390
WAVE TO A FRIEND. WAVE LIKE A HUMAN BEING.

WAVE TO A FRIEND. WAVE LIKE A HUMAN BEING.

13:1413:16#391
YOU REMEMBER WAVING?

YOU REMEMBER WAVING?

13:1613:18#392
AND BLOW A KISS.

AND BLOW A KISS.

13:1813:19#393
- [blows] - NO, WITH YOUR HANDS!

- [blows] - NO, WITH YOUR HANDS!

13:1913:21#394
AND, UH...

AND, UH...

13:2413:25#395
A LITTLE CLEAVAGE.

A LITTLE CLEAVAGE.

13:2513:28#396
NOPE!

NOPE!

13:2813:29#397
AND JUST HAVE FUN.

AND JUST HAVE FUN.

13:2913:32#398
ARE YOU SPINNING A BASKETBALL?

ARE YOU SPINNING A BASKETBALL?

13:3213:33#399
- THIS IS GREAT.

- THIS IS GREAT.

13:3313:35#400
YOU LOOK REALLY RELAXED.

YOU LOOK REALLY RELAXED.

13:3513:36#401
I'D WATCH THIS SHOW.

I'D WATCH THIS SHOW.

13:3613:38#402
- OKAY. - WHAT'S HAPPENING TO HER?

- OKAY. - WHAT'S HAPPENING TO HER?

13:3813:40#403
- OKAY, LEMON, STEP IN FRONT OF THE HIGH-DEF CAMERA.

- OKAY, LEMON, STEP IN FRONT OF THE HIGH-DEF CAMERA.

13:4013:42#404
LET'S SEE WHAT THAT LOOKS LIKE.

LET'S SEE WHAT THAT LOOKS LIKE.

13:4213:44#405
- [gasps]

- [gasps]

13:4413:45#406
- NO! NO HIGH-DEF,

- NO! NO HIGH-DEF,

13:4513:46#407
UH, BECAUSE OF THE CAMERA.

UH, BECAUSE OF THE CAMERA.

13:4613:48#408
THE, UH, GOBOS ARE REALLY MORAYING, RIGHT, PETE?

THE, UH, GOBOS ARE REALLY MORAYING, RIGHT, PETE?

13:4813:51#409
- [high-pitched] PLEASE STEP AWAY!

- [high-pitched] PLEASE STEP AWAY!

13:5113:53#410
- I HAVE A DELIVERY FOR MISS LEMON.

- I HAVE A DELIVERY FOR MISS LEMON.

13:5313:55#411
- OH, AN OPENING NIGHT BOUQUET.

- OH, AN OPENING NIGHT BOUQUET.

13:5513:56#412
I WONDER WHO SENT THAT?

I WONDER WHO SENT THAT?

13:5713:59#413
- THEY'RE FROM DEVIN BANKS.

- THEY'RE FROM DEVIN BANKS.

13:5914:00#414
- OH! - BANKS?

- OH! - BANKS?

14:0014:02#415
- "F. E. M. A. PAID FOR THESE FLOWERS

- "F. E. M. A. PAID FOR THESE FLOWERS

14:0214:04#416
BECAUSE YOUR SHOW IS GOING TO BE A DISASTER."

BECAUSE YOUR SHOW IS GOING TO BE A DISASTER."

14:0414:06#417
JACK, WHAT IS THIS?

JACK, WHAT IS THIS?

14:0614:07#418
- OH, GOD!

- OH, GOD!

14:0714:08#419
I GOT A TATTOO THAT SAYS "FREEDOM" IN CHINESE,

I GOT A TATTOO THAT SAYS "FREEDOM" IN CHINESE,

14:0814:11#420
AND FOR WHAT?

AND FOR WHAT?

14:1114:12#421
- MAY I HAVE A MOMENT ALONE WITH LEMON, PLEASE?

- MAY I HAVE A MOMENT ALONE WITH LEMON, PLEASE?

14:1614:18#422
OKAY, HERE'S THE HONEST TRUTH.

OKAY, HERE'S THE HONEST TRUTH.

14:2214:24#423
YOU'RE BETTER AT THIS THAN OPRAH.

YOU'RE BETTER AT THIS THAN OPRAH.

14:2414:25#424
- I NEED A MINUTE.

- I NEED A MINUTE.

14:2814:29#425
[Sighs]

[Sighs]

14:3414:37#426
[Cell phone rings]

[Cell phone rings]

14:3714:38#427
- HELLO?

- HELLO?

14:3914:41#428
- I FULLY UNDERSTAND THE IRONY OF WHAT I'M ABOUT TO SAY,

- I FULLY UNDERSTAND THE IRONY OF WHAT I'M ABOUT TO SAY,

14:4114:43#429
BUT I HAVE LOCKED MYSELF IN MY DRESSING ROOM,

BUT I HAVE LOCKED MYSELF IN MY DRESSING ROOM,

14:4314:45#430
AND I AM NOT COMING OUT!

AND I AM NOT COMING OUT!

14:4514:47#431
- ♪ PEOPLE

- ♪ PEOPLE

14:5014:52#432
- ♪ SHOODILY BOP BOP BOW, BA BADABA DO ♪

- ♪ SHOODILY BOP BOP BOW, BA BADABA DO ♪

14:5214:54#433
- ♪ LOVE SONGS

- ♪ LOVE SONGS

14:5414:55#434
- ♪ TWEEDLY DUM, TWEEDLY DUM AH ♪

- ♪ TWEEDLY DUM, TWEEDLY DUM AH ♪

14:5514:57#435
♪ BADA DOOBITY BA

♪ BADA DOOBITY BA

14:5714:58#436
- ♪ ABOUT LOVE

- ♪ ABOUT LOVE

14:5815:00#437
♪ AND CARS [clank]

♪ AND CARS [clank]

15:0015:02#438
♪ I'VE STARTED ALREADY

♪ I'VE STARTED ALREADY

15:0215:04#439
- ♪ BOO BOP BOH - STOP!

- ♪ BOO BOP BOH - STOP!

15:0415:05#440
STOP! IT'S ALL WRONG!

STOP! IT'S ALL WRONG!

15:0515:07#441
HOW COULD FIVE OF THE MOST POPULAR MUSICAL STYLES

HOW COULD FIVE OF THE MOST POPULAR MUSICAL STYLES

15:0715:11#442
ALL PLAYED AT ONCE SOUND SO BAD?

ALL PLAYED AT ONCE SOUND SO BAD?

15:1115:13#443
- MR. JORDAN, I'M NOT SURE YOU'VE THOUGHT THIS THROUGH.

- MR. JORDAN, I'M NOT SURE YOU'VE THOUGHT THIS THROUGH.

15:1315:16#444
- OH, YEAH, KEN?

- OH, YEAH, KEN?

15:1715:18#445
WHAT DO YOU KNOW ABOUT THE PRESSURES OF "EGOT"-ING?

WHAT DO YOU KNOW ABOUT THE PRESSURES OF "EGOT"-ING?

15:1815:20#446
I NEED TO SPEAK TO SOMEONE WHO'S BEEN THERE,

I NEED TO SPEAK TO SOMEONE WHO'S BEEN THERE,

15:2015:23#447
A FELLOW "EGOT"-ER.

A FELLOW "EGOT"-ER.

15:2315:24#448
- TRACY, WHAT ARE YOU DOING?

- TRACY, WHAT ARE YOU DOING?

15:2415:27#449
YOU'RE SUPPOSED TO BE IN A FITTING.

YOU'RE SUPPOSED TO BE IN A FITTING.

15:2715:29#450
NERDS!

NERDS!

15:2915:31#451
- IS IT ME, OR IS LIZ LEMON GETTING HOTTER?

- IS IT ME, OR IS LIZ LEMON GETTING HOTTER?

15:3315:35#452
- LEMON, IT'S JACK.

- LEMON, IT'S JACK.

15:4115:42#453
- DON'T EVEN BOTHER!

- DON'T EVEN BOTHER!

15:4215:44#454
I'VE BEEN ON THE OTHER SIDE OF THAT DOOR, JACK.

I'VE BEEN ON THE OTHER SIDE OF THAT DOOR, JACK.

15:4415:46#455
YOU CAN'T OUTSMART ME.

YOU CAN'T OUTSMART ME.

15:4615:47#456
I KNOW ALL THE TRICKS.

I KNOW ALL THE TRICKS.

15:4715:48#457
IT'S LIKE THAT MOVIE, THE NEGOTIATOR.

IT'S LIKE THAT MOVIE, THE NEGOTIATOR.

15:4815:50#458
- I DIDN'T SEE THAT.

- I DIDN'T SEE THAT.

15:5015:51#459
- IN THE END, THE POLICE CHIEF

- IN THE END, THE POLICE CHIEF

15:5215:53#460
TURNS OUT TO BE THE BAD GUY.

TURNS OUT TO BE THE BAD GUY.

15:5315:54#461
- I DIDN'T SAY I WASN'T GOING TO SEE IT.

- I DIDN'T SAY I WASN'T GOING TO SEE IT.

15:5415:56#462
LEMON, WHAT IS IT GOING TO TAKE

LEMON, WHAT IS IT GOING TO TAKE

15:5615:57#463
TO GET YOU OUT OF THERE? WHAT DO YOU WANT?

TO GET YOU OUT OF THERE? WHAT DO YOU WANT?

15:5715:59#464
- I DON'T WANT TO DO THIS SHOW ANYMORE!

- I DON'T WANT TO DO THIS SHOW ANYMORE!

15:5916:01#465
SHUT IT DOWN!

SHUT IT DOWN!

16:0116:02#466
- I CAN'T DO THAT.

- I CAN'T DO THAT.

16:0216:03#467
IF THIS THING LOSES MONEY,

IF THIS THING LOSES MONEY,

16:0316:04#468
I MAY AS WELL LET BANKS PLAY OUT

I MAY AS WELL LET BANKS PLAY OUT

16:0416:05#469
ONE OF HIS GAY HOME INVASION FANTASIES ON ME.

ONE OF HIS GAY HOME INVASION FANTASIES ON ME.

16:0516:08#470
- THEN I GUESS IT'S A STANDOFF!

- THEN I GUESS IT'S A STANDOFF!

16:0816:11#471
AND I WANT PIZZAS FOR ALL THE HUNGRY PEOPLE IN HERE!

AND I WANT PIZZAS FOR ALL THE HUNGRY PEOPLE IN HERE!

16:1116:14#472
- SO YOU TRYIN' TO "EGOT," HUH?

- SO YOU TRYIN' TO "EGOT," HUH?

16:1416:16#473
- I GOTTA "EGOT," WHOOPI.

- I GOTTA "EGOT," WHOOPI.

16:1616:17#474
SEE, I MADE THIS DEAL WITH MY WIFE.

SEE, I MADE THIS DEAL WITH MY WIFE.

16:1716:19#475
IF I DON'T "EGOT," THEN I CAN'T HAVE ANOTHER KID.

IF I DON'T "EGOT," THEN I CAN'T HAVE ANOTHER KID.

16:1916:21#476
- YOU KNOW, I GOT MY "EGOT" ON A BET TOO.

- YOU KNOW, I GOT MY "EGOT" ON A BET TOO.

16:2116:24#477
THAT'S WHY ARLEN SPECTER HAD TO CHANGE PARTIES.

THAT'S WHY ARLEN SPECTER HAD TO CHANGE PARTIES.

16:2416:27#478
- YOU CREATED THE SUPERMAJORITY?

- YOU CREATED THE SUPERMAJORITY?

16:2716:29#479
- MM.

- MM.

16:2916:30#480
- I DON'T GET IT. WHY IS IT SO HARD?

- I DON'T GET IT. WHY IS IT SO HARD?

16:3016:32#481
I PAID ALL THESE PEOPLE TO CREATE

I PAID ALL THESE PEOPLE TO CREATE

16:3216:34#482
THE MOST POPULAR SONG IN THE WORLD FOR ME.

THE MOST POPULAR SONG IN THE WORLD FOR ME.

16:3416:35#483
- THAT'S THE PROBLEM RIGHT THERE.

- THAT'S THE PROBLEM RIGHT THERE.

16:3516:37#484
YOU CANNOT FAKE YOUR WAY TO A "EGOT," FOOL.

YOU CANNOT FAKE YOUR WAY TO A "EGOT," FOOL.

16:3716:39#485
YOU KNOW, ALL THESE AWARDS I GOT,

YOU KNOW, ALL THESE AWARDS I GOT,

16:3916:42#486
I GOT FOR PROJECTS I BELIEVED IN.

I GOT FOR PROJECTS I BELIEVED IN.

16:4216:44#487
- WAIT! IS THAT A DAYTIME EMMY?

- WAIT! IS THAT A DAYTIME EMMY?

16:4416:46#488
- IT STILL COUNTS. GIRL'S GOTTA EAT.

- IT STILL COUNTS. GIRL'S GOTTA EAT.

16:4616:49#489
LISTEN, MY POINT REALLY IS,

LISTEN, MY POINT REALLY IS,

16:4916:51#490
IT'S GOTTA COME FROM THE HEART,

IT'S GOTTA COME FROM THE HEART,

16:5116:52#491
AND THEN THE AWARDS WILL FOLLOW.

AND THEN THE AWARDS WILL FOLLOW.

16:5216:54#492
- THAT'S GOOD ADVICE, WHOOPI.

- THAT'S GOOD ADVICE, WHOOPI.

16:5416:56#493
- MM-HMM.

- MM-HMM.

16:5616:57#494
- SAY... [Clears throat]

- SAY... [Clears throat]

16:5716:58#495
CAN I HAVE A GLASS OF WATER BEFORE I LEAVE?

CAN I HAVE A GLASS OF WATER BEFORE I LEAVE?

16:5817:00#496
- YEAH. SURE.

- YEAH. SURE.

17:0017:02#497
- THANK YOU.

- THANK YOU.

17:0217:04#498
- COLORED MAN, PUT IT BACK.

- COLORED MAN, PUT IT BACK.

17:0917:11#499
PUT IT DOWN.

PUT IT DOWN.

17:1117:13#500
- LEMON, COME OUT.

- LEMON, COME OUT.

17:1517:17#501
- JACK, I JUST GOT YOUR BUSINESS SEXT.

- JACK, I JUST GOT YOUR BUSINESS SEXT.

17:1817:20#502
WHAT HAVE YOU DONE?

WHAT HAVE YOU DONE?

17:2017:21#503
- THIS IS NO TIME TO PLAY THE BLAME GAME.

- THIS IS NO TIME TO PLAY THE BLAME GAME.

17:2117:22#504
- OF COURSE NOT. I'M NOT WEARING MY OUTFIT.

- OF COURSE NOT. I'M NOT WEARING MY OUTFIT.

17:2217:25#505
- JENNA, YOU'RE THE ONLY ONE WHO KNOWS

- JENNA, YOU'RE THE ONLY ONE WHO KNOWS

17:2517:26#506
WHAT LEMON IS GOING THROUGH RIGHT NOW.

WHAT LEMON IS GOING THROUGH RIGHT NOW.

17:2617:27#507
HELP ME.

HELP ME.

17:2817:29#508
- WELL... I HATE TO EVEN TELL YOU THIS,

- WELL... I HATE TO EVEN TELL YOU THIS,

17:2917:31#509
BUT I'VE ALWAYS WONDERED WHY YOU GUYS

BUT I'VE ALWAYS WONDERED WHY YOU GUYS

17:3117:33#510
DON'T TAKE THE DOOR OFF ITS HINGES.

DON'T TAKE THE DOOR OFF ITS HINGES.

17:3317:34#511
- THAT'S NOT GONNA WORK!

- THAT'S NOT GONNA WORK!

17:3417:35#512
- THANK YOU.

- THANK YOU.

17:3517:37#513
- THIS CHANGES NOTHING!

- THIS CHANGES NOTHING!

17:3717:38#514
- LEMON, I AM HEMORRHAGING MONEY RIGHT NOW.

- LEMON, I AM HEMORRHAGING MONEY RIGHT NOW.

17:3817:41#515
YOUR AUDIENCE HAS SPENT THE LAST HOUR

YOUR AUDIENCE HAS SPENT THE LAST HOUR

17:4117:43#516
LISTENING TO KENNETH TELL CLEANED-UP VERSIONS

LISTENING TO KENNETH TELL CLEANED-UP VERSIONS

17:4317:44#517
OF GARRISON KEILLOR STORIES.

OF GARRISON KEILLOR STORIES.

17:4417:46#518
NOW, I UNDERSTAND PERFORMER LIZ IS FREAKING OUT,

NOW, I UNDERSTAND PERFORMER LIZ IS FREAKING OUT,

17:4617:49#519
SO I NEED REGULAR LIZ'S HELP.

SO I NEED REGULAR LIZ'S HELP.

17:4917:50#520
- I DON'T KNOW THAT SHE'S HERE RIGHT NOW.

- I DON'T KNOW THAT SHE'S HERE RIGHT NOW.

17:5117:52#521
- LEMON, I NEED REGULAR LIZ

- LEMON, I NEED REGULAR LIZ

17:5217:54#522
TO TELL THAT CRAZY BITCH, PERFORMER LIZ,

TO TELL THAT CRAZY BITCH, PERFORMER LIZ,

17:5417:56#523
TO GET OUT ON THE STAGE AND GIVE ME SOMETHING

TO GET OUT ON THE STAGE AND GIVE ME SOMETHING

17:5617:58#524
I CAN TRY TO MAKE MONEY OFF OF.

I CAN TRY TO MAKE MONEY OFF OF.

17:5817:59#525
PLEASE.

PLEASE.

17:5918:00#526
- [sighs]

- [sighs]

18:0318:04#527
HEY, BUDDY, YOUR HAIR LOOKS NICE.

HEY, BUDDY, YOUR HAIR LOOKS NICE.

18:0518:08#528
DON'T TRY THOSE TRICKS ON ME!

DON'T TRY THOSE TRICKS ON ME!

18:0818:10#529
- OH, BOY.

- OH, BOY.

18:1018:11#530
- OKAY, I KNOW THAT IT'S BEEN A HARD DAY.

- OKAY, I KNOW THAT IT'S BEEN A HARD DAY.

18:1118:14#531
I COULD HAVE HAD IT ALL,

I COULD HAVE HAD IT ALL,

18:1418:15#532
BUT YOU HAD TO RUIN IT

BUT YOU HAD TO RUIN IT

18:1518:17#533
WITH YOUR THINKING!

WITH YOUR THINKING!

18:1718:19#534
COME ON. ♪ YOU'RE A STAR

COME ON. ♪ YOU'RE A STAR

18:1918:22#535
♪ YOU'RE ON TOP

♪ YOU'RE ON TOP

18:2218:23#536
♪ SOMEBODY BRING YOU SOME HAM ♪

♪ SOMEBODY BRING YOU SOME HAM ♪

18:2318:25#537
YOU SHOULD KILL YOURSELF!

YOU SHOULD KILL YOURSELF!

18:2518:27#538
[Gasps]

[Gasps]

18:2718:29#539
[Crying]

[Crying]

18:2918:31#540
- GOOD GOD, LEMON, WHAT IS THAT?

- GOOD GOD, LEMON, WHAT IS THAT?

18:3118:32#541
- THIS IS HOW I CRY NOW,

- THIS IS HOW I CRY NOW,

18:3218:34#542
EVER SINCE YOU MADE ME GET THAT OFF-BRAND EYE SURGERY.

EVER SINCE YOU MADE ME GET THAT OFF-BRAND EYE SURGERY.

18:3418:38#543
- LEMON, WHAT HAVE WE DONE TO YOU?

- LEMON, WHAT HAVE WE DONE TO YOU?

18:3818:39#544
IT'S OKAY. GO HOME AND GET SOME REST.

IT'S OKAY. GO HOME AND GET SOME REST.

18:4218:45#545
I'LL TAKE THE HIT.

I'LL TAKE THE HIT.

18:4518:46#546
- I CAN'T LET YOU DO THAT FOR ME.

- I CAN'T LET YOU DO THAT FOR ME.

18:4618:48#547
LET HIM GO!

LET HIM GO!

18:4818:49#548
[Gasps]

[Gasps]

18:4918:51#549
[Growling]

[Growling]

18:5118:53#550
- ♪ BABY GIRL

- ♪ BABY GIRL

18:5318:56#551
♪ YOU'RE THE MISSING PIECE

♪ YOU'RE THE MISSING PIECE

18:5618:58#552
♪ THE PERFECT FIT

♪ THE PERFECT FIT

18:5819:00#553
♪ BABY GIRL

♪ BABY GIRL

19:0019:03#554
♪ YOU'RE THE PRODUCT OF DOING IT ♪

♪ YOU'RE THE PRODUCT OF DOING IT ♪

19:0319:06#555
♪ ER-EEEEE

♪ ER-EEEEE

19:0619:09#556
- DAMN IT, TRACY.

- DAMN IT, TRACY.

19:0919:12#557
THAT'S WHAT'S IN YOUR HEART?

THAT'S WHAT'S IN YOUR HEART?

19:1219:14#558
YOU SWEET FOOL.

YOU SWEET FOOL.

19:1419:16#559
LET'S MAKE A BABY.

LET'S MAKE A BABY.

19:1619:18#560
- WAIT!

- WAIT!

19:1819:19#561
IF YOU REALLY WANT A BABY,

IF YOU REALLY WANT A BABY,

19:1919:21#562
I'LL GIVE YOU MY GIFT.

I'LL GIVE YOU MY GIFT.

19:2119:22#563
BUT I MUST WARN YOU,

BUT I MUST WARN YOU,

19:2219:24#564
I WON'T BE AROUND A LOT,

I WON'T BE AROUND A LOT,

19:2419:26#565
'CAUSE I'M "EGOT"-ING.

'CAUSE I'M "EGOT"-ING.

19:2619:27#566
- AW, TRACY JORDAN,

- AW, TRACY JORDAN,

19:2719:30#567
YOU'RE AN IDIOT.

YOU'RE AN IDIOT.

19:3019:31#568
- I KNOW.

- I KNOW.

19:3119:32#569
WE'RE LUCKY PEOPLE LAUGH WHEN I SAY STUFF.

WE'RE LUCKY PEOPLE LAUGH WHEN I SAY STUFF.

19:3219:34#570
Both: [moaning]

Both: [moaning]

19:3419:37#571
[Sighs]

[Sighs]

19:4419:45#572
- SO, UH, HOW ARE WE DOING?

- SO, UH, HOW ARE WE DOING?

19:5019:53#573
AND BY "WE," I JUST MEAN THE TWO OF US.

AND BY "WE," I JUST MEAN THE TWO OF US.

19:5319:56#574
- I'M OKAY.

- I'M OKAY.

19:5619:57#575
YOU SHOULDN'T HAVE SAID ANYTHING ABOUT MY HAIR.

YOU SHOULDN'T HAVE SAID ANYTHING ABOUT MY HAIR.

19:5720:00#576
- I KNOW THAT NOW.

- I KNOW THAT NOW.

20:0020:01#577
I THINK IT WILL GROW OUT NICELY.

I THINK IT WILL GROW OUT NICELY.

20:0120:03#578
- I AGREE.

- I AGREE.

20:0320:04#579
- I'M SORRY THAT I RUINED--

- I'M SORRY THAT I RUINED--

20:0520:08#580
- YOU DIDN'T.

- YOU DIDN'T.

20:0820:09#581
I SOLD THE OPENING TITLES.

I SOLD THE OPENING TITLES.

20:0920:10#582
- REALLY? TO WHO?

- REALLY? TO WHO?

20:1020:11#583
- "WHOM?" AND FROM NOW ON,

- "WHOM?" AND FROM NOW ON,

20:1120:13#584
WHENEVER A TELEVISION IS ON

WHENEVER A TELEVISION IS ON

20:1320:14#585
IN THE BACKGROUND OF A SHEINHARDT-UNIVERSAL SOAP OPERA,

IN THE BACKGROUND OF A SHEINHARDT-UNIVERSAL SOAP OPERA,

20:1420:17#586
YOU WILL BE ON IT.

YOU WILL BE ON IT.

20:1720:19#587
- I'M GONNA BE ON TV ON TV!

- I'M GONNA BE ON TV ON TV!

20:1920:21#588
- [panting]

- [panting]

20:2120:22#589
YOU'RE BACK! THANK GOD.

YOU'RE BACK! THANK GOD.

20:2320:25#590
I MISSED YOU SO MUCH!

I MISSED YOU SO MUCH!

20:2520:27#591
DON'T EVER LEAVE ME AGAIN!

DON'T EVER LEAVE ME AGAIN!

20:2720:29#592
[Kissing sounds]

[Kissing sounds]

20:2920:32#593
- I'M BACK.

- I'M BACK.

20:3220:33#594
- [kissing sounds]

- [kissing sounds]

20:3320:35#595
- I'M BACK!

- I'M BACK!

20:3520:36#596
- HEY, FANCY FACE.

- HEY, FANCY FACE.

20:4120:42#597
- [chuckles]

- [chuckles]

20:4220:44#598
- YOU SCARED ME. I THOUGHT I WAS GONNA LOSE YOU.

- YOU SCARED ME. I THOUGHT I WAS GONNA LOSE YOU.

20:4420:46#599
- YOU CAN'T GET RID OF ME THAT EASILY.

- YOU CAN'T GET RID OF ME THAT EASILY.

20:4620:49#600
- THAT'S ME.

- THAT'S ME.

20:4920:50#601
- MY WEDDING RING.

- MY WEDDING RING.

20:5320:55#602
- I FOUND IT ON THE BEACH.

- I FOUND IT ON THE BEACH.

20:5520:56#603
- THAT'S ME AGAIN.

- THAT'S ME AGAIN.

20:5620:57#604
- WHAT IS THE--

- WHAT IS THE--

21:0221:04#605
WHAT IS THIS TV SHOW?

WHAT IS THIS TV SHOW?

21:0421:06#606
- IT'S VERY DISTRACTING.

- IT'S VERY DISTRACTING.

21:0621:08#607
- [laughing]

- [laughing]

21:0821:09#608